Articles

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Barber: Conservative no, Romantic yes.

Dolce Suono's Barber celebration (2nd review)

A composer with a foot in two camps

With a little help from three of Samuel Barber's protégés, Dolce Suono afforded a glimpse into the confluence of traditional and modern idioms that was Barber's hallmark.
Victor L. Schermer

Victor L. Schermer

Articles 3 minute read
Garanca: Glimpses of thigh.

Met's "Carmen' — the HD theatrical version

Swept away by those movie close-ups

My reservations about the Metropolitan Opera's new production of Carmen were swept away when I saw the luscious Latvian mezzo Elina Garanca on a big movie screen.
Steve Cohen

Steve Cohen

Articles 3 minute read
Ijames as Baldwin: Teenage vocabulary.

Mauckingbird's "Tru' and "The Threshing Floor'

Capote and Baldwin: Where's the beef?

Some one-person plays provide drama, but most devolve into lectures. Mauckingbird's current homages to Truman Capote and James Baldwin fall in the latter camp.
Jim Rutter

Jim Rutter

Articles 4 minute read
Mattila: Liquid gold.

Orchestra tackles Mahler and Strauss

Romanticism's swan song

Replacement conductor Juanjo Maena performed the scheduled Adagio of Mahler's great but incomplete Tenth Symphony and Richard Strauss's Four Last Songs, but substituted mid-period Beethoven for mid-period Martinu. The results were mixed, with Strauss faring best but sluggish tempos marring the Mahler and Beethoven.
Robert Zaller

Robert Zaller

Articles 6 minute read

Dolce Suono's Barber celebration (1st review)

He did it his way

Dolce Suono and the Curtis Institute celebrated the 100th birthday of an odd kind of iconoclast—- an individualist who refused to enlist in the avant-garde.
Tom Purdom

Tom Purdom

Articles 4 minute read

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Noel's 'Kali in a Pink Robe': Visual splendors.

Eileen Goodman/Scott Noel at Gross McCleaf

Celebrating the sensuous

On the surface, Eileen Goodman's flowers and fruits have little in common with Scott Noel's nudes. Yet both artists unabashedly celebrate the sensuous.

Andrew Mangravite

Articles 1 minute read
Bresky, Real: Triumph of gadgetry.

"Peter Pan' at the Arden

Is it true boys have more fun?

Douglas Irvine has apparently heard the Peter Pan story so often that he sees no need to dramatize the contrast between Edwardian London and the mythical Neverland. And without that conflict, the story loses its point.
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
Plummer (left), Cole in 'Imaginarium': Through the looking-glass.

"Avatar' vs. "The Imaginarium'

Technology vs. imagination: The Avatar of Dr. Parnassus

James Cameron's Avatar dazzles us with expensive high-tech special effects. But Terry Gilliam's Imaginarium of Doctor Parnassus dazzles us with the more substantive power of human imagination.
Judy Weightman

Judy Weightman

Articles 7 minute read
Alagna (l.), Baranca: Fatalistic.

Metropolitan Opera's new "Carmen'

Carmen's biggest challenge: Up against Franco's fascists

The Metropolitan Opera's new production of Carmen, set in fascist Spain of the 1930s, contains three outstanding elements: its Carmen, its Don José and its conductor. Their relative importance may well be in reverse order.
Steve Cohen

Steve Cohen

Articles 5 minute read
Raim: Poetic.

Chamber Music Society's all-Schubert program

With a little help from Schubert's friends

For its all-Schubert program, the Philadelphia Chamber Music Society had to replace two of its scheduled soloists. No problem, because that's pretty much the way Schubert himself got started.
Tom Purdom

Tom Purdom

Articles 3 minute read