Articles

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Bogosian, Silverstone, Linney, James: Not domestic people.

"Time Stands Still' in New York

Global terror, once over lightly

The playwright Donald Margulies likes to flirt with serious social issues. His trouble is, as Time Stands Still reminds us, that he isn't serious about any of it.
Toby Zinman

Toby Zinman

Articles 3 minute read
Rea (left) and McGinley: Shades of Beckett. (Photo: Sara Krulwich, New York Times.)

Sam Shepard's "Ages of the Moon' in New York

A coupla white dudes sitting around talking

Ages of the Moon finds Sam Shepard in a meditative mood, ruminating on life, hilariously and painfully. His reunion of two aging Western geezers is classic American dramatic metaphor— a long day's journey into night if ever was one.
Toby Zinman

Toby Zinman

Articles 3 minute read
Rebecca Brooksher as soprano Giulia Grisi: Much ado about high notes. (Photo: Mark Garvin.)

McNally's "Golden Age' by PTC (1st review)

A very long night at the opera

In the backstage bickering of singers and composer during the opening night of Bellini's I Puritani, Terrence McNally has the raw materials for an intriguing drama. Unfortunately, McNally's Golden Age consists of more than three interminable hours of operatic name-dropping and hackneyed expository dialogue.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Koen: Striking.

Chamber groups and the Orchestra

Moonlighting sonatas: Our debt to the Orchestra

Two of our local chamber music groups present programs that serve as relevant reminders of our city's debt to the Philadelphia Orchestra.
Tom Purdom

Tom Purdom

Articles 4 minute read
Bromberg (left), Kaukonen: 'Not over-rehearsed.'

Guitarists Kaukonen and Bromberg at the Keswick

Pickin' on the blues

Two great guitarists revisit their musical roots in an evening of virtuoso finger-picking.
Judy Weightman

Judy Weightman

Articles 3 minute read
Brian McCann (top), McLenigan, Kevin Meehan, Delaney: But what does the playwright think?

Gregory Burke's "Gagarin Way'

Which side are you on?

Despite the intoxicating power of this play about a labor-management standoff, Gagarin Way shrinks from addressing critical questions, like the use of violence on behalf of a just cause.
Jim Rutter

Jim Rutter

Articles 4 minute read
Johnson: Disproving a theory.

Black audiences and classical music

A cure for ailing orchestras: Consider the black audience

In theory, black people don't like classical music. It's a fallacious theory, as I can attest, but it often becomes a self-fulfilling prophecy. Now a visionary Philadelphia conductor is demonstrating that a classical orchestra can thrive by looking beyond racial stereotypes.
Maria Thompson Corley

Maria Thompson Corley

Articles 4 minute read
Androgynous self-portrait (1912): A Freudian dreamer.

Egon Schiele exhibit in New York

The hand of a master draughtsman

Egon Schiele obsessively depicted the human form in the more than 3,000 works he produced in his all-too-brief 28 years. No one since Rembrandt captured its truth with greater honesty and penetration.
Robert Zaller

Robert Zaller

Articles 6 minute read
Levin: What did Mozart really want?

Pianist Robert Levin with the Orchestra

Inside Mozart's brain

Last weekend's unexpected treat was the pianist Robert Levin, a Harvard humanities professor endowed with the mind of a composer as well as a very entertaining teacher, who took the Philadelphia Orchestra's audience on an exuberant journey inside Mozart's mind.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Starting out (1966): Why play into a sixth decade?

The Who across the generations

Adolescence revisited: My lifelong journey with The Who

For more than 30 years the legendary British band The Who has guided me through the vicissitudes of adolescence and adulthood. Now The Who is preparing to play the Super Bowl. Can I share my personal heroes with the rest of the world?

J.F. Pirro

Articles 5 minute read