Articles

6207 results
Page 498
Streb's 'Whizzing Gizmo': Like a giant ice cream cone. (Photo: Tom Caravaglia.)

Elizabeth Streb's "Brave' at Annenberg (1st review)

The Evel Knievel of dance (but is it dance?)

Elizabeth Streb's take on dance and space has added danger, experimentation and a fascination with things mechanical that can propel the body beyond what it can achieve on its own, but not much in the way of dance moves.
Merilyn Jackson

Merilyn Jackson

Articles 4 minute read
Orchestra brochure illustration: Are we having fun yet?

The Orchestra's inane marketing

‘Unexpect yourself!' (And other inanities from the Orchestra's marketing department)

Against his better judgment, Dan Coren reads a mailing from the Philadelphia Orchestra. Looking for something new? Don't open this brochure!
Dan Coren

Dan Coren

Articles 6 minute read
Filmmaker Argott: Ignored no more.

The Pew confronts "The Art of the Steal'

The Pew, the Barnes and the art of sophistry

The Pew foundation has consistently ignored criticism of its de facto takeover of the Barnes Foundation. Now, confronted by a muckraking documentary, the Pew has deigned to post answers to “frequently asked questions” about its relationship to the Barnes. It's a disingenuous exercise. Let us count the ways.
Robert Zaller

Robert Zaller

Articles 6 minute read
Kudisch (left) and Carlson: Mincing to excess.

McNally's "Golden Age' by PTC (2nd review)

The eternal Callas, somewhere offstage

Golden Age may be set in 1835, but it's actually Terrence McNally's latest paean to the obsession of his life, Maria Callas. Music lovers will relish hearing about vocal techniques, public tastes, jealousies and gossip about other singers and composers, but it goes on too long. Golden Age. By Terrence McNally; directed by Austin Pendleton. Philadelphia Theatre Co., production through February 14, 2010 at Suzanne Roberts Theatre, 480 S. Broad St. (at Lombard). (215) 985-0420 or www.philadelphiatheatrecompany.org.
Steve Cohen

Steve Cohen

Articles 5 minute read
Meade: Authority of a priestess.

AVA's "Norma' and "Trovatore' in concert

Bellini, Verdi and the difference

The recent Academy of Vocal Arts concert offered beautiful, professional-level singing with strong accompaniment by the AVA orchestra, conducted by the school's musical director, Christofer Macatsoris. It also provided inadvertent insight into the difference between Bellini and Verdi.
Steve Cohen

Steve Cohen

Articles 2 minute read
Ellroy: Minimalist poet of the underworld.

James Ellroy's "Blood's A Rover'

Through an American dream, darkly

James Ellroy's American dream is a high-definition nightmare of total political depravity that infects every character in his fiction, from presidents to bellhops. It is totally fascinating, perhaps because there is the sting of truth at its basis. Blood's A Rover. By James Ellroy. Knopf, 2009. 656 pages; $28.95. www.amazon.com.
Bob Ingram

Bob Ingram

Articles 5 minute read
Knightley (r.), with Matthew Macfadyen: The ulimate transformation.

Jane Austen novels on DVD

Jane Austen is ready for her close-up (and always has been)

Jane Austen's impenetrable prose is difficult to slog through— but her novels translate marvelously to the screen, as two DVD adaptations remind us. This is no accident. Long before the invention of cinema, Austen understood— as, say, Dostoyevsky or Proust or Mailer did not— the power of visual imagery.
Robert J. Murphy

Robert J. Murphy

Articles 5 minute read
Daly: The Jesuits were not amused.

Howard Zinn and Mary Daly: Up the academy

They rattled our ivory towers

Howard Zinn and Mary Daly, who died last week, shared a penchant for challenging smug academic certainties. To college presidents and deans, they were perennial pests; to society's underdogs, they exemplified what a free society is all about.
Patrick D. Hazard

Patrick D. Hazard

Articles 3 minute read

Sign up for our newsletter

All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.

Salinger's "Catcher,' then and now

The power to cut through cant

J.D. Salinger's fundamental resistance to adult delusions spoke powerfully to a high school freshman like me. But his message didn't resonate with everyone, even my age.

John L. Erlich

Articles 2 minute read
'A Woman Worshipping Brahma' (c. 1650): More enjoyable with music.

"Ragas and Rajas' at the Art Museum

Art and music, in harmony

As a new exhibit from India persuasively demonstrates, nothing enhances visual art like appropriate music, and vice versa. The courts of the rajas specialized in this kind of musical imagery for more than two centuries.
Victoria Skelly

Victoria Skelly

Articles 3 minute read