Articles

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Cushing’s stoneware storage jar (2006): Power and modesty, together.

Contemporary ceramics invasion

When ceramic artists flex their muscles

Ceramics is one of the most exciting areas in contemporary art. In the wake of a recent national convention, some of the best recent work is on display at multiple Philadelphia venues right here right now.
Marilyn MacGregor

Marilyn MacGregor

Articles 3 minute read
Pryor: Fine king, terrific Falstaff. (Photo: Mark Garvin.)

Lantern Theater's "Henry IV, Part I' (1st review)

O to be a king (whose nobles are itching for a fight)

Shakespeare's Henriad— the history plays that span the reigns of Henry IV and Henry VI— are hard to stage and rarely performed. They're especially challenging in the confines of the Lantern Theater's cramped space, with multiple roles being played by all cast members save one. Charles McMahon's production brings off the first of these plays with kaleidoscopic vigor and intensity, abetted by brilliant staging.
Robert Zaller

Robert Zaller

Articles 7 minute read
Neuwirth, Lane: Are we shocked yet?

"The Addams Family' in New York

Charles Addams without teeth

The macabre incisiveness of The New Yorker's legendary cartoonist Charles Addams is betrayed in this middle-of-the-road, feel-good musical that merely tips its hat to weirdness. The Addams Family. Lyrics and music by Andrew Lippa; book by Marshall Brickman and Rick Elice; directed and designed by Phelim McDermott and Julian Crouch. At the Lunt-Fontanne Theatre, 205 West 46th St., New York. (212) 307-4100 or (800) 755-4000 or www.ticketmaster.com.
Toby Zinman

Toby Zinman

Articles 4 minute read
Seyfried, Moore: Identity theft.

Atom Egoyan's "Chloe'

Who's doing what to whom?

Veteran filmmaker Atom Egoyan's latest, Chloe, features a lethal sex triangle in which the victims are hard to tell from the victimizers— or is there a difference at all?
Robert Zaller

Robert Zaller

Articles 3 minute read
Turner: Up from 'Body Heat.' (Photo: Mark Garvin.)

"Red Hot Patriot': Kathleen Turner as Molly Ivins (3rd review)

News from Planet Texas

Kathleen Turner does a star turn in Red Hot Patriot, a one-woman show about the maverick journalist and political iconoclast Molly Ivins. A more focused script would have served Molly better, but she's welcome back.
Robert Zaller

Robert Zaller

Articles 3 minute read
‘Le Printemps’ (1908): Woman caught off guard.

Felix Vallotton's working-class women in New York

How shall we look at a woman?

Nine female portrait studies by the Franco-Swiss artist Felix Vallotton make for a small jewel of a show in Manhattan. Like Seurat's Les Poseuses, Vallotton searches for the eternal feminine in working-class women, and rings his own variations on the theme.
Robert Zaller

Robert Zaller

Articles 5 minute read
Blumberg: Cruel children, cruel parents. (Photo: T. Charles Erickson.)

"When the Rain Stops Falling' in New York

Family saga, global calamity

Andrew Bovell, an Australian playwright, and director David Cromer combine with a luminous cast to provide a searing and extraordinary theatrical experience.
Toby Zinman

Toby Zinman

Articles 3 minute read
Molina (left), Redmayne: Swept away by comic books and soup cans?

John Logan's "Red': Mark Rothko on Broadway

How art happens

Red, based on two years in the life of the Abstract Expressionist painter Mark Rothko, is a daring play about making art. In 90 minutes it shows us what a monster of self-absorption and narcissistic contempt our art-god can be.
Toby Zinman

Toby Zinman

Articles 3 minute read
'Moving to a music of their own.'

Dickstein's "Dancing In the Dark'

Great Depression, greater paradox

Morris Dickstein's cultural history of the Great Depression has elevated our intellectual level several notches, revealing clearly and eloquently how the many pieces of a complex industrial culture fit together.
Patrick D. Hazard

Patrick D. Hazard

Articles 3 minute read
Sheehan: Sense of urgency.

Tempesta di Mare's "Lamentations of Jeremiah'

Reflection yes, but hold the repentance

In the hands of Tempesta di Mare, an 18th-Century Holy Week lament becomes a warm and sensual Saturday night serenade.
Tom Purdom

Tom Purdom

Articles 4 minute read