Articles

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Page 487
Madden, Hultgren: A song from Justin Timbertlake.

Sheila Callaghan's "Crumble,' by Flashpoint Theatre

When a woman needs a man

Sheila Callaghan's politically incorrect Crumble boldly asks, in effect, “What would women do without men?” The answer is provided in her title.
Jim Rutter

Jim Rutter

Articles 2 minute read
Taki: Force of nature.

Papadakis memorial concert at Drexel

Muscular music for a muscular president

Konstantinos Papadakis eulogizing Constantine Papadakis? That's precisely what happened when the local Greek pianist performed a memorial recital in honor of Drexel's late president and his own namesake. The program consisted of works by Chopin and Barber, and was finely performed by a musician of outstanding sensitivity and intelligence.
Robert Zaller

Robert Zaller

Articles 3 minute read
Goodman (left), Cox in 'Carry Me': Return of a real-life mother. (Photo: Bill Hebert.)

BalletX's Spring Series (2nd review)

Xperimental and xciting, too

Feisty BalletX's Spring Series was sophisticated and polished, offering four new ballets, each from (mostly) new choreographers.

Janet Anderson

Articles 4 minute read
Colby Damon, Jennifer Goodman in 'One Word Play': Dancers as individuals. (Photo: Alexander Iziliaev.)

BalletX's Spring Series (1st review)

Ballet for people who don't particularly like ballet

Classical ballet has become a closed and rigid system. BalletX offers an antidote, opening up ballet to new movements and new forms of expressiveness.
Judy Weightman

Judy Weightman

Articles 3 minute read
Greer: Sympathy for the unsympathetic. (Photo: Jorge Cousineau.)

McPherson's "Shining City' by Theatre Exile (2nd review)

Heaven's my destination (not)

Conor McPherson's Shining City raises uncomfortable questions about human relationships. I would have appreciated some attempt at an answer.
Jim Rutter

Jim Rutter

Articles 3 minute read
McCann, Lynch: Shipwrecked by the global economy.

Enda Walsh's "Bedbound,' by Inis Nua Theatre

Death of an Irish salesman

Ireland is no longer poverty-stricken, but you wouldn't know it from the current crop of pessimistic Irish playwrights. Witness Enda Walsh's allegorical Bedbound as the latest example.
Jim Rutter

Jim Rutter

Articles 3 minute read

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Patton: Mutliple talents.

Piffaro's "Music From 17th-Century Spain'

Song and dance in Renaissance Spain

Piffaro mounts a song and dance variety show and places 17th Century Spanish music in a well-researched context.
Tom Purdom

Tom Purdom

Articles 3 minute read
'Cowshed,' V. Vomichev (1961): Oh, to be a Soviet sausage.

Soviet posters at Arthur Ross Gallery

Communism's lighter side

Soviet propaganda may have been heavy-handed under Stalin, but under Khrushchev it lightened up, even mocking Soviet science and industry.

Andrew Mangravite

Articles 3 minute read
Weilerstein: Emotional show-and-tell.  (Photo: Lucio Lecce.)

When musicians won't sit still

If Horowitz could sit still, why can't Alisa Weilerstein?

Musicians today are trained not just to play but also to “perform.” But excessive movement by a performer isn't merely a visual distraction; it can impede execution as well.
Maria Thompson Corley

Maria Thompson Corley

Articles 3 minute read

Verdi's "La Traviata' at the Met

Tall, handsome, and he can sing, too

The Metropolitan Opera will soon retire Franco Zeffirelli's lavish production of La Traviata. The compensation is this spring's debut of the dashing tenor James Valenti. The opera world hasn't seen this combination of voice and stature since Franco Corelli.
Steve Cohen

Steve Cohen

Articles 3 minute read