Articles

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'Bathers Playing With a Crab' (c. 1897): Surrounded by women.

"Late Renoir' at the Art Museum (3rd review)

An aging man's vigor: Renoir's sensual freedom in paint

The older Renoir became, it seems, the more voluptuous and freely painted were his women. It wasn't only the subject matter of a naked woman that telegraphed unbridled sensuality; the loosely stroked way Renoir applied paint also connoted licentiousness and unacceptable pleasures. The Art Museum's current show is a tribute to an aging man's vigor, and also to the perspicacity of Renoir's biggest fan: Albert Barnes.
Judith Stein

Judith Stein

Articles 8 minute read
Meunier, 'First Piano Lesson': Why so unhappy?

Why piano students cry

The agony and ecstasy of the amateur pianist

Somewhere in the world, a student cries at a piano lesson every 21 seconds. Why all this anguish? I believe that the emotional power of the classical piano literature itself is a powerful contributing factor. I speak from agonizing personal experience.
Dan Coren

Dan Coren

Articles 6 minute read
'Blue Nude': A shimmer of modern energy.

"Matisse: 1913-1917' at MOMA in New York

War among artists, and artists at war

Returning to Paris from his inspiring visit to Morocco in 1913, Matisse had to confront the new challenges of Cubism as well as the impending dangers of a terrible war. In so doing he created some of his most compelling, most beautiful, and most defining works.
Marilyn MacGregor

Marilyn MacGregor

Articles 4 minute read
Vanderbilt: Still alive in cyberspace.

Electronic books vs. ink on paper

New adventures in reading: My first e-book experiment

Can a plastic rectangle produce the same habit-forming bliss as several hundred pages bound between two hard covers? My first experiment with e-books suggests that what really matters is The Word, not how it's conveyed.
Tom Purdom

Tom Purdom

Articles 5 minute read

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Davis: A one-note performance.

My evening with Miles Davis (memoir)

‘Guess who I'm snorting coke with?' Miles Davis, up (too) close

When Miles Davis walked into our San Francisco jazz club, I was operating the food concession. Unfortunately for me, food was the last thing the great jazz trumpeter wanted that night.
Bob Ingram

Bob Ingram

Articles 6 minute read
Hodge as Albin: Elaine May had a better idea.

"La Cage Aux Folles' on Broadway

The film was so much better

The current Broadway production of La Cage Aux Folles won the 2010 Tony for best revival of a musical. So why was I constantly checking my watch through two hours and 40 minutes of this heavy-handed extravaganza?

Jane Biberman

Articles 3 minute read
Waiting for Pacino tickets: It helped to come prepared. (Photo: Ann Weiss.)

Shakespeare vs. New York's Jews (2nd comment)

Jews 1, Shakespeare 0

I waited 18 hours to see The Merchant of Venice in New York's Central Park. Al Pacino's signature lion's roar was well worth the wait. But director Daniel Sullivan, by dumbing down the script and softening its anti-Semitism, subverted Shakespeare's clear intention.
Rathe Miller

Rathe Miller

Articles 5 minute read
Laura Feig, Ian Hussey in Neenan's 'The Last Glass': Our money's worth.

BalletX Summer program at the Wilma (2nd review)

On a mission to redefine ballet

Choreographers can please a crowd in one of two ways: Give the audience something everyone can relate to, or seduce them with a work that's irresistible. The two tremendous world premieres in BalletX's recent Summer Series provided one of each.
Jim Rutter

Jim Rutter

Articles 3 minute read
Merchant: Tough to pin down.

Natalie Merchant on tour at the Merriam

Professor Merchant lets her hair down

In her latest song cycle, singer-songwriter Natalie Merchant interprets the words of others through a dizzyingly diverse collection of musical influences, ranging from traditional folk and bluegrass to klezmer, Celtic, classical, jazz and, even a little rock 'n roll.
Mark Wolverton

Mark Wolverton

Articles 3 minute read
Keating (top), Prescott in 'Risk of Flight': Who needs a story line? (Photo: Alexander Iziliaev.)

BalletX Summer program at the Wilma (1st review)

It's all about movement

BalletX celebrated its fifth anniversary with a program demonstrating just how sophisticated this small troupe of ten has become within a short time period. It was especially good to see Matthew Neenan back to being his movement funky self again.

Janet Anderson

Articles 3 minute read