Articles

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McKey (left), Novelli: Where scientific progress and gender equality meet. (Photo: Mark Garvin.)

"Legacy of Light' at People's Light

Meeting of minds

Legacy of Light follows two brilliant woman scientists living 260 years apart. As a play of ideas, it's not quite up to Shaw or Stoppard, but it's a respectable addition to the genre.

Bill Murphy

Articles 3 minute read
Lollipops for his fans.

Yo-Yo Ma at the Kimmel (1st review)

Ma's middle-aged crisis, or: Brahms, where is thy sting?

Yo-Yo Ma delivered beautiful tone but neither bite nor flashes of anger in his confusingly bland Brahms. Brahms wants his Sonata No. 1 to both shout and whisper; Ma chose to sit comfortably somewhere in between.

Articles 3 minute read
Ma and Stott: Acoustics? What acoustics?

Yo-Yo Ma at the Kimmel (2nd review)

How an artist makes a difference

What force could nearly fill Verizon Hall to hear a cellist, even a great cellist, especially on a night when the Phillies were fighting for survival in the National League championship series?
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
Dorothea Lange's 'Migrant Mother': In crisis, diverse responses.

Peter Conn's "The American 1930s'

America's 1930s, in detail

Penn professor Peter Conn's The American 1930s is a scholarly wonder about a painful period. His perspective is more sociological than literary, and he misses little.
Patrick D. Hazard

Patrick D. Hazard

Articles 3 minute read

"Cleopatra' at the Franklin Institute

What becomes a legend most?

Few artifacts survive from Cleopatra's reign, but a show at the Franklin Institute makes the most of what little remains.
Judy Weightman

Judy Weightman

Articles 3 minute read
Bryn Terfel as Wotan: It's the characters that matter.

The Met's "Das Rheingold' in HD-Live (1st review)

Ready (at last) for your close-up, Herr Wagner

The Metropolitan Opera's recent HD-Live broadcast of Das Rheingold was a more successful realization of Wagner's dramatic and musical intentions than I could have ever believed possible. The overall result was gripping psychological drama in which Wagner's marvelous music operated subliminally beneath the action, just as Wagner intended.
Dan Coren

Dan Coren

Articles 6 minute read
Childs: More talented than she lets on.

Jen Childs in "Why I'm Scared of Dance'

Oh, for the life of a would-be dancer

In this original and often charming one-woman autobiographical tour, the multi-talented comedienne Jen Childs reflects on her life as an aspiring dancer who's a tad too short and clunky for the Kirov or A Chorus Line.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read

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'Nocturne Tailrace': Enough mystery to keep thing interesting.

Keith Crowley paintings at Bridgette Mayer Gallery

The music of light on water

Keith Crowley's landscape images convey the instantaneous feel of snapshots taken on the fly.

Andrew Mangravite

Articles 1 minute read
Ludt: Charming.

Blaming the critics: "Jekyll and Hyde' in Media

Meltdown in Media

I didn't intend to write about the Media Theatre's Jekyll and Hyde, but Jesse Cline left me no choice. This director's greatest gift, it seems, is his talent for turning potential friends into enemies.
Jim Rutter

Jim Rutter

Articles 4 minute read
Luigi Smiling as Malcolm, Albert Jones as MacDuff: Exiles in a novel setting.

"Macbeth' at the Wilma (3rd review)

A human monster, rendered natural

The remarkable strength of this Wilma production is its clarity of language and action, releasing the power of Macbeth through means that are devoid of histrionics. The clarity also allows us to revisit and better understand the other characters who co-habit the stage with Macbeth and Lady Macbeth.
Jonathan M. Stein

Jonathan M. Stein

Articles 6 minute read