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Torrado, Lorenzo: A shoulder strap speaks volumes. (Photo: Alexander Iziliaev.)

Pennsylvania Ballet's "Carmen'

Don José: Victim, villain or jerk?

The opening scene of Roland Petit's Carmen suggests immense bottled-up passion and lust. Unfortunately, that passion is never released in the ballet's remaining two scenes.
Jim Rutter

Jim Rutter

Articles 4 minute read
'Phantasmagoria': Brueghel's peasants in a time warp. (Photo: Scott Schuman.)

Paul Taylor at Annenberg (1st review)

Paul Taylor, between the body and the spirit

Paul Taylor has been choreographing for more than half a century— long enough to gently tweak the pretensions of modern dance even as he seriously examines the interplay between the spiritual and the carnal.
Judy Weightman

Judy Weightman

Articles 3 minute read
Pape as Boris: A Russian Macbeth. (Photo: Nick Heavican.)

Met “Boris Godunov” and its critics

Boris, we hardly knew ye (until now)

The Met's new production of Boris Godunov has been criticized because it's so long. Nonsense. At last we have a restoration of this epic of Russian history as Pushkin put it in words and as Mussorgsky transcribed it into music theater.
Steve Cohen

Steve Cohen

Articles 5 minute read
'Island' (1956): Where forms lurk but seldom disclose themselves.

Stormy Weather: Jon Schueler in New York

A painter whose time came and went

Jon Schueler arrived on the art scene only as Abstract Expressionism was beginning to yield ground to Pop Art, and his achievement has been obscured. It's well worth discovering. This small but sharply focused exhibition shows Schueler at a moment of crucial transition.
Robert Zaller

Robert Zaller

Articles 5 minute read
Blythe, Terfel: Henny Youngman had a word for it. (Photo: Ken Howard.)

The Met's "Das Rheingold' in HD-Live (2nd review)

Here's the gold. Where's the magic?

Das Rheingold scored only a middling success when I saw its live transmission in High Definition. The staging looked expensive but failed to achieve the magic of Lepage's earlier productions.
Steve Cohen

Steve Cohen

Articles 3 minute read
Goodman: A highlight of my musical life.

Philadelphia Harp Music Festival

Crowded program, empty pews

The Philadelphia HarpMusicFest presents able musicians playing attractive programs. All it needs is an audience.
Tom Purdom

Tom Purdom

Articles 3 minute read
Betinis: Liberation, Islamic style.

Philadelphia Singers' all-American concert

When composers confront technology

The Philadelphia Singers' new emphasis on American choral music wisely exploits conductor David Hayes's conviction and understanding.
Tom Purdom

Tom Purdom

Articles 4 minute read
Sturrock, Yelland: Missing the train.

Emma Rice's "Brief Encounter' in New York (1st review)

Improving on Noel Coward

Emma Rice's inspired adaptation of Noel Coward's play and David Lean's film has made the transition from off-Broadway to the Great White Way with all of its charm and intimacy intact.

Jane Biberman

Articles 3 minute read
Knight (left), Stewart: Unchanging through the years.

Mamet's "A Life in the Theatre' on Broadway

Mamet sans teeth

David Mamet's play about an older actor and his protégé-rival is full of snippets and in-jokes celebrating life on the stage but bereft of Mamet's signature ferocity and danger.
Toby Zinman

Toby Zinman

Articles 3 minute read
Lumley, Rylance, Pierce: Raising the bar for boorishness. (Photo: Manuel Harlan.)

David Hirson's "La Bête' on Broadway

Tour de force doesn't begin to cover it

La Bête is a wild Molière parody/homage, nearly two hours of rhyming couplets delivered at breakneck speed. The effect is jawdroppingly amazing— and very, very funny.
Toby Zinman

Toby Zinman

Articles 3 minute read