Articles

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Page 463
Swank, Rockwell: No one to turn to but each other.

Tony Goldwyn's "Conviction' and the death penalty

Who shall live and who shall die? America's death penalty lottery

Tony Goldwyn's Conviction tells one of the 254 stories of DNA exoneration through Barry Scheck's Innocence Project, most of them grim parables of judicial incompetence, bias, or worse. The film's subject spent 18 years in prison for a murder he didn't commit— luckily for him, in Massachusetts, a state with no death penalty. Conviction. A film directed by Tony Goldwyn. www.innocenceproject.org/know/conviction.
Robert Zaller

Robert Zaller

Articles 6 minute read
Smith, Parker, Ford: Someone should have listened to Seneca. (Photo: Paola Nogueras.)

"That Pretty Pretty: Or, the Rape Play,' by Theatre Exile

Less than meets the eye

That Pretty Pretty isn't a play; it's a play about writing a play. Playwright Sheila Callaghan introduced numerous big post-modernist ideas but fails to develop any of them into a coherent narrative. That Pretty Pretty: Or, the Rape Play. By Sheila Callaghan; Joe Canuso directed. Theatre Exile production through December 5, 2010 at Christ Church Neighborhood House, 20 N. American St. (between Second and Third Sts. and Market and Arch). (215) 218-4022 or www.theatreexile.org.

Pamela Riley

Articles 2 minute read
DalCanton, Hodge: Gordon Gekko in utopia.

InterAct Theatre's "Silverhill'

Trouble in paradise

The InterAct's premiere of Silverhill, a canny drama about a 19th-Century utopian community, freshly poses perennial questions about who defines social justice and how much of it we really want. Christopher Coucill heads a fine ensemble cast, and Seth Rozin's direction is trenchant.
Robert Zaller

Robert Zaller

Articles 4 minute read
Martenson's 'Side Window': Back to the basics.

Barnes and Martenson at Gross McCleaf

A little nonsense

Victoria Barnes spices up her still life paintings by turning them into whimsical assemblages. Douglas Martenson, by contrast, is strictly Old School.

Andrew Mangravite

Articles 1 minute read
Raim: Beyond career guidance.

Astral Artists' Brahms Festival

Brahms ‘til you drop

Astral showcased its young performers in an attention-getting event that crammed three concerts into a single day. It may be a stunt, but it's a high-class stunt with a serious purpose.
Tom Purdom

Tom Purdom

Articles 4 minute read
McLaughlin: Admired but not adored.

Guitarist John McLaughlin at the Keswick

Here's the talent. Where's the love?

John McLaughlin is one of the best guitarists playing today. But technical proficiency isn't easy to translate into passion.
Judy Weightman

Judy Weightman

Articles 2 minute read
Tsoutsouvas as Socrates: The arrogance of wisdom. (Photo: Bas Slabbers.)

Plato's "Apology' by Quintessence Theatre Group

Socrates for the age of Obama

How should a community respond to someone who's the smartest fellow in town but also an obnoxious pain in the ass? That's the intriguing question posed by Quintessence Theatre Group's bold and entertaining adaptation of Plato's Apology.
Jim Rutter

Jim Rutter

Articles 3 minute read

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Palumbo's 'We Never Talk Any More': Out of a graphic novel.

Six artists at Artists' House Gallery

Six for the price of one

In what's not so much a group show as six small exhibitions under one roof, Artists' House offers something for everyone, with figurative works on both canvas and paper, still lifes, landscapes and interiors.

Andrew Mangravite

Articles 3 minute read
Noomi Rapace as Salander in 'The Girl With the Dragon Tattoo': Don't violate her boundaries.

Outsider heroes: Lisbeth Salander and Jack Reacher

The girl who kicked her computer, or: Who needs Facebook? Who needs friends?

Why do the action novels of Stieg Larsson and Lee Child sell millions of copies worldwide? Maybe because their fantasy heroes are individuals in the age of modern technology— unlike most of the rest of us, who've been enslaved by it.
Bob Ingram

Bob Ingram

Articles 5 minute read
Round up the usual suspects.

"Rent' by 11th Hour Theatre Company

Let's put on a show! (But not necessarily Rent)

The promising 11th Hour ensemble steps outside its customary intimate comfort zone with its current production of Rent. The bad news: This troupe adds little to Jonathan Larson's overexposed musical, which is already beginning to show its age.
Jim Rutter

Jim Rutter

Articles 3 minute read