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Coon (left), Elder: What did you do in the war?

'Irving Berlin's White Christmas' at the Walnut

Irving Berlin without apologies

You've heard about shows where you come out of the theater humming the songs? Well, with Irving Berlin's White Christmas you walk into the theater humming them. The show is superficial, corny and old-fashioned, but it sure is fun. Irving Berlin's White Christmas. Music and lyrics by Irving Berlin; book by David Ives and Paul Blake; Marc Robin directed and choreographed. Through January 9, 2011 at Walnut Street Theatre, 825 Walnut St. (215) 574-3550 or www.walnutstreettheatre.org.
Steve Cohen

Steve Cohen

Articles 3 minute read
Hong (top), Hall: Is there a moral witness in the house? (Photo: Nan Melville.)<i></i>

“Coronation of Poppea” by Juilliard Opera

When the bad guys win

In Monteverdi's The Coronation of Poppea, the sheer force of erotic passion subverts all moral categories. Such wisdom renders this nearly-400-year-old opera more than modern today. The Juilliard Opera Theater's production, led by Harry Bicket, gave a fine account of the work.
Robert Zaller

Robert Zaller

Articles 5 minute read
Clearfield: Translating from color to sound.

Network for New Music's "Trade Winds From Tibet'

Himalayan Odyssey, Philadelphia style

Four young American composers based their pieces on recent fieldwork conducted in Tibet by Philadelphia composer Andrea Clearfield. This self-consciously styled genre is too often laden with clichés— happily not the case in this concert.

Articles 3 minute read
Pinion, Kreeger, Torres: Can’t escape history. (Photo: Ashley Anderson.)

Guy Glass's "Last Castrato' in New York

His master's voice

The Last Castrato sheds light on an important chapter of musical history, one that's as fascinating as it is complex. Playwright Glass, a practicing psychiatrist by day, uses a reform moment in the Catholic Church, circa 1904, to examine the issues of art, music, gender and posterity.

Jane Biberman

Articles 3 minute read
Sean Arnold, Olivia Vote, Alex Lawrence (standing): The Puritans blew it. (Photo: Paul Sirochman.)

Garwood's "Scarlet Letter,' by AVA (1st review)

Hester's little secret

Margaret Garwood's new opera may not contain any soaring arias, but its final moment is a monument to the immorality of overbearing morality.
Tom Purdom

Tom Purdom

Articles 3 minute read

BalletX: Ochoa, Del Cuore and Neenan (2nd review)

A ballet troupe with a future

Now in its fifth year, BalletX has assembled a consistently talented cadre of strong modern ballet dancers, commissioning new work and tapping selections from a growing repertoire.
Jonathan M. Stein

Jonathan M. Stein

Articles 3 minute read

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Cullum as the white man: Not evil, just clueless.

"The Scottsboro Boys' on Broadway (2nd review)

A beautiful outrage

This dazzling musical treatment of an American racial injustice— full of wild singing and dancing, passion and outrage and history— is a revelation on several levels.
Toby Zinman

Toby Zinman

Articles 4 minute read
DelMarcelle (right) with Ann Gundersheimer: Mismatched costumes.

Lantern Theatre's "Uncle Vanya' (3rd review)

Must boredom be boring?

When a play focuses on a family, great ensemble acting is required if the audience is to believe that the characters are related. This mishmash failed that test.

Jane Biberman

Articles 2 minute read
Stroker: Something different.

"25th Annual Putnam County Spelling Bee' by PTC

Kids acting like adults, and vice versa

Two secrets explain the success of The 25th Annual Putnam County Spelling Bee. This production adds some fresh ingredients to the mix. The 25th Annual Putnam County Spelling Bee. Music and lyrics by William Finn; book by Rachel Sheinkin; Marc Bruni directed. Philadelphia Theatre Company production through December 12, 210 at Suzanne Roberts Theatre, 480 S. Broad St. (at Lombard). (215) 985-0420 or www.philadelphiatheatrecompany.org.
Steve Cohen

Steve Cohen

Articles 3 minute read
Damon, Feig in 'Beside Myself': Latent promise. (Photo: Bill Hebert.)

BalletX: Ochoa, Del Cuore and Neenan (1st review)

Stories and pictures without words or paint

Revivals by Annabelle Lopez Ochoa and Matthew Neenan have ripened with age. The same might be true a few years from now for Tobin Del Cuore's Beside Myself. BalletX 2010 Fall Series: Ochoa, Still @ Life; Del Cuore, Beside Myself; Neenan, Frequencies. Through November 21, 2010 at the Wilma Theater, 265 S. Broad St. (at Spruce). (215) 546-7824 or www.balletx.org.
Jim Rutter

Jim Rutter

Articles 4 minute read