Articles

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Page 458
'The mice have funny shoes on!'

Pennsylvania Ballet's "Nutcracker': Three generations

To see with the eyes of a child

At what age should you introduce a child to The Nutcracker? And do you take her for her benefit, or yours?
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Esherick's Chester County studio: Inspired by cattle.

Wharton Esherick: American original

Innocence or experience? The man who refused to choose

Wharton Esherick, the dean of American craftsman, was a renaissance man who defied pigeonholing in an age of narrow specialists. His continuing coming-out party has been remarkable for those who don't know his work, and plain gratifying for those who do.

J.F. Pirro

Articles 7 minute read
Redgrave, Jones: Changing times.

"Driving Miss Daisy' in New York

Pride and prejudice in the emerging South

Why spend money on seats that cost many times the price of the DVD? To see three of the finest actors of our times share a stage and work their own particular magic on Alfred Uhry's classic.

Jane Biberman

Articles 3 minute read
Jemma Redgrave, Daniel Rabin: Interview with a dead man. (Photo: John Haynes.)

"The Great Game: Afghanistan' in New York

One evening in Afghanistan (that lasts 168 years)

In 12 short plays lasting more than seven hours, this unique “total immersion” production provides a vividly dramatic and crucial context for understanding Afghanistan.

Carol Rocamora

Articles 7 minute read
Goya's 'Mirth': Transported, or furious?

Spanish drawings at the Frick Museum (2nd review)

Draughstman with a conscience

For centuries past, many great artists expended their sense of compassion on the Man of Sorrows. For Goya, clearly, that was not good enough.

Articles 5 minute read
Lichtenstein's 'Baked Potato' (1962): A sense of the real through immersion in the second-hand.

Degas and Lichtenstein at the Morgan in N.Y.

Consummate master meets satiric rebel

Degas was a great and punitively fastidious voyeur. The gleefully rebellious Roy Lichtenstein, by contrast, hides his own eroticism behind the deadpan humor of a Jack Paar.
Robert Zaller

Robert Zaller

Articles 4 minute read

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Wrenn, Jain, Johnson: Who stole Xmas? (Photo: Dan Plehal.)

Theatre Horizon's "Very Merry Xmas Carol'

Scrooge meets Frosty the Snowman

We often hear about plays intended for audiences of all ages, but this broad satire of A Christmas Carol is a rare one that really works across a wide spectrum.
Steve Cohen

Steve Cohen

Articles 2 minute read
The 'halo effect': A glittering distraction?

"The Gross Clinic' restored (2nd review)

The Gross Clinic restoration revisited: What did Thomas Eakins really want?

I feel the greatest respect for the dedication and effort that went into the Art Museum's restoration of The Gross Clinic. But the fact remains: We still don't have Thomas Eakins's painting here.

Michael Woods

Articles 5 minute read
Heimes: Regal greeting.

Piffaro's Renaissance Christmas

Pagans and Christians on common ground

On a single Christmas program, Piffaro managed to combine our mix of pagan rite, Christian holy day and All-American party-time.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pitts: Extending a tune into jazz eternity.

Jazz pianist Trudy Pitts: an appreciation

In sushi heaven with Trudy Pitts

What defines a musical treasure? For me, it was the pleasure that the jazz pianist and organist Trudy Pitts brought to many a weekend evening and Sunday brunch.
Dan Coren

Dan Coren

Articles 2 minute read