Articles

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Gonglewski, Hissom: Beneath that hulking exterior, a woman?

"Moon for the Misbegotten' at the Arden (2nd review)

Our deepest, darkest secrets

Grace Gonglewski brings a grounded, split-second nuance to O'Neill's Irish Amazon Josie Hogan. But O'Neill's theme— that people aren't who they seem to be— is hardly a stunning insight in the age of Facebook.
Alaina Johns

Alaina Johns

Articles 3 minute read
The Wojnarowicz video (above): Perceived as a threat, for good reason.

The ultimate power: visual images

The pen is mightier than the sword? Well, what's even mightier than the pen?

So you thought the visual arts were a luxury item? As several recent controversies suggest— again— there's nothing quite as powerful as a visual image. That's why governments and pressure groups fear them far more than books.

Anne R. Fabbri

Articles 3 minute read
Uchida's intensity was almost alarming.

Pianist Mitsuko Uchida at the Perelman

Restless explorer of the keyboard

When the bruisingly intense pianist Mitsuko Uchida sits down at her instrument, you sense that not only will the audience hear the music in some new way, but also Uchida herself will make discoveries along the way. It's a brave and exciting way to make music, and fraught with risk.

Articles 3 minute read
Merrylees (left), Sottile: Scores to settle. (Photo: Mark Garvin.)

"Kidnapped' at People's Light

A ripping Highlands yarn, stripped down

This stage adaptation of Kidnapped is a pared-down but generally effective version of Robert Louis Stevenson's classic adventure novel, which is more than you can say for its six film versions.

Bill Murphy

Articles 2 minute read
Jiri Zizka: The man who wasn't there.

"The Understudy' at the Wilma (2nd review)

Make 'em reflect, or make 'em laugh: Is the Wilma changing its stripes?

Jiri Zizka, the Wilma' longtime co-director, might have made something engagingly metaphysical out of The Understudy. This production, played largely for laughs, suggests that Zizka's shoes will be hard to fill.
Jim Rutter

Jim Rutter

Articles 3 minute read
Zhu: A piano that sings.

Natalie Zhu with Ricardo Morales

A useful tip, a timely reminder

Without musicians like these three, conductors would just be well-dressed exhibitionists waving their arms. Oh, and keep your eye on the pianist Natalie Zhu.
Tom Purdom

Tom Purdom

Articles 3 minute read

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Brennan, O'Brien, Carson, Dibble: Nine people's favorite thing.

Mauckingbird's "[title of show]'

There's no business like show business (and maybe that's the problem)

Like reality-based TV programming, this musical show about putting on a musical show appeals to a very narrow niche indeed. But it does appeal.
Jim Rutter

Jim Rutter

Articles 3 minute read
Gonglewski, Watts (rear), Hissom: Carrying manners as an ironic barrier.

"Moon For the Misbegotten' at the Arden (1st review)

The core of O'Neill's compassion

A Moon for the Misbegotten was Eugene O'Neill's last play, and it touches the core of his compassion. Grace Gonglewski and Eric Hissom play finely against each other under Matt Pfeiffer's direction.
Robert Zaller

Robert Zaller

Articles 4 minute read

Noseda conducts Orchestra's DvoÅ™ák

The pinch-hitter also rises

Gianandrea Noseda, pinch-hitting for Donald Runnicles, put his own stamp on a seemingly innocuous program. His aggressively dramatic interpretation of the DvoÅ™ák Eighth Symphony was unlike any I've heard before.
Dan Coren

Dan Coren

Articles 3 minute read
Chua: Life is grades and medals?

The dark side of 'Tiger' parenting

Wusses vs. tigers: And the winner is….

Are we a nation of softies, as Governor Rendell recently claimed? Should we envy the performance-driven Chinese? Funny thing— many kids raised in driven households envy us, and with good reason.
Maria Thompson Corley

Maria Thompson Corley

Articles 5 minute read