Articles

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Firth and Helena Bonham Carter as the king and queen: Travails of a figurehead.

"The King's Speech' reconsidered

On bowing and scraping before The King's Speech

The King's Speech, the much acclaimed film about King George VI's struggle to overcome his stutter, rests on a long-discarded literary premise: the notion that kings and queens are interesting and important people. Isn't it time we stopped bowing and scraping before these innocuous parasites?

Anne R. Fabbri

Articles 3 minute read
I was about to give up on Babbitt (above), when it all came together.

How I learned to love Milton Babbitt

Milton Babbitt's ultimate message: Stop trying to hold on

Audiences didn't understand Milton Babbitt's music. For a long time, I didn't, either. But as he would say, who understands particle physics? For that matter, who understands James Joyce?
Kile Smith

Kile Smith

Articles 4 minute read
Menotti (center) with Eugene Ormandy and Efrem Zimbalist at Curtis, 1952: Is popularity a crime?

Menotti Centenary concert at Curtis

Will the real Menotti please stand up?

The late composer Gian-Carlo Menotti was so prolific, gregarious and commercial that serious music critics often dismissed his work. But the “best of Menotti” excerpts assembled for his Centenary concert sounded better than the original operas. What he needed, apparently, was a good curator.
Steve Cohen

Steve Cohen

Articles 4 minute read
Beckmann: A much-abused instrument.

Vox Amadeus: all-Vivaldi concert

Hold the entrée, bring on the hors d'oeuvres

The Four Seasons is a nice piece, but I've heard it too often recently. Vivaldi's enormous output includes dozens of entries that are just as inventive and charming.
Tom Purdom

Tom Purdom

Articles 3 minute read
Seder in Richmond, with Andrre Braugher and Andre Holland: Why is this night different? (Photo: Joan Marcus.)

Jews and slavery: "The Whipping Man' in New York

When slaves in Egypt owned slaves in Virginia

How could Jews, of all people, have owned slaves in the antebellum South? Matthew Lopez's inspiring new play, The Whipping Man, uses one such family as a parable of faith, family, freedom and the brotherhood of man.

Carol Rocamora

Articles 5 minute read
Amy Aldridge, Sergio Torrado in Tharp's`In the Upper Room': Well worth restaging. (Photo: Paul Klonik.)

Pennsylvania Ballet's "Classical Innovations'

A program in search of a point

Two pieces on Pennsylvania Ballet's latest program offered beauty and sensory treats but no particular point. The company would do better to scrap both and stage the third by itself: Twyla Tharp's awe-inspiring In the Upper Room.
Jim Rutter

Jim Rutter

Articles 2 minute read

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Pantano: Pleasant surprise.

Concert Operetta's "Remembering Romberg' (2nd review)

Why Sigmund Romberg succeeded (and why he's been forgotten)

Some critics find Sigmund Romberg's exotic operettas schmaltzy and outdated. I disagree, and the recent production of Romberg highlights by the Concert Operetta Theater reinforced my feeling.
Steve Cohen

Steve Cohen

Articles 3 minute read
Norton and cast: Everyman's self-doubts.

Finn's "A New Brain' at Plays and Players

Near-death experience: the musical

A musical comedy about undergoing brain surgery? Yes, and it works, too.
Steve Cohen

Steve Cohen

Articles 2 minute read
Mamet: Looking backward.

David Mamet's "Race' by PTC (3rd review)

David Mamet is angry. Should that concern us?

Where David Mamet's Oleanna provoked anger across gender lines, his Race attempts to evince terror, frustration and guilt along racial divisions. But Race reveals more about Mamet than about his ostensible subject matter.
Jim Rutter

Jim Rutter

Articles 4 minute read
Essence of tango: Males claim space; females claim mates.

Argentina's Tango Fire at the Merriam

Tango's middle-age crisis

Like no other art form I know, the tango shows us who we are. But Tango Fire's brief but intense visit to the Merriam raised an implicit question: Like jazz, where is the tango headed?
Robert Zaller

Robert Zaller

Articles 3 minute read