Articles

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Costello, Pérez: The Sunday crowd loved them.

OCP's "Roméo et Juliette' (2nd review)

She's a teenager— remember?

Is the Opera Company's fashionista version of Roméo et Juliette a travesty or a breath of fresh air? That's a matter of personal taste— and among teenagers, the response was surprisingly positive.
Steve Cohen

Steve Cohen

Articles 3 minute read
Airplane sketch, 15th Century: An unlimited imagination.

"Leonardo Da Vinci's Workshop' at Franklin Institute

Inside Leonardo's mind

Leonardo da Vinci's incomparably intriguing mind and all its wonders are on display at the Franklin Institute, with models, drawings, and interactive technology. Leonardo himself would have loved it.
Marilyn MacGregor

Marilyn MacGregor

Articles 3 minute read

Sampling Google's new Art Project

Up close and (im)personal, Google-style

Google's new Art Project, offering interactive tours of 17 participating museums (so far), can be great fun: Thanks to the zoom function, we can see paintings at closer range than even the artists did. But it's a site run by tech wizards, not art scholars.
Marilyn MacGregor

Marilyn MacGregor

Articles less than a minute read
Hahn: On the high bridge.

Curtis Orchestra: Modern and post-modern (1st review)

Hope for the future

The Curtis Orchestra's midwinter concert under Juanjo Mena, with soloist Hilary Hahn, featured a fine new Violin Concerto by Jennifer Higdon, flanked by the rarely heard Hindemith Concert Music for Strings and Brass, and the Shostakovich Fifth Symphony. Hahn was superb, and the strings of the Curtis particularly distinguished themselves.
Robert Zaller

Robert Zaller

Articles 6 minute read
Robert Brubaker as Mao, James Maddelena as Nixon: A scrapbook of fading snapshots. (Photo: Ken Howard.)

"Nixon in China' at the Met

A cable-news opera

The Met's debut production of Nixon in China contains mesmerizing tunes and excellent musical craftsmanship. Its libretto, however, lacks human drama and emotion. It's more of a documentary than an opera.
Steve Cohen

Steve Cohen

Articles 3 minute read
McCormick (left), Jezior: Even his boozy breath was real.

Sara Kane's "Blasted' by Luna Theater

Seeing is believing

Sarah Kane's Blasted forces us to witness every conceivable type of psychological and physical violence. It requires tremendous fortitude to watch. But its sincere frankness hits home.
Jim Rutter

Jim Rutter

Articles 3 minute read
Black-Regan (and Dura on the floor): 'It's only a symbol.'

Boris Vian's "Empire Builders' at Walnut Studio 5 (1st review)

Downward mobility, or: For whom the noise tolls

In Boris Vian's creepy and intensive absurdist work from 1957, a Paris family is constantly moving upstairs to escape a mysterious noise downstairs. It's a dazzling metaphor for the fear currently pervading the world's economic frustrations.
Jim Rutter

Jim Rutter

Articles 3 minute read
Watts (left), Gonglewski: The perfect trinity for despair.

"Moon for the Misbegotten' at the Arden (3rd review)

The poetry of unheeded expectations

In O'Neill's dramas, like those of Tennessee Williams, each character's mental state teeters on the brink of psychosis; poverty isn't necessarily financial; and the playwright's poetic language abets their condition.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 4 minute read
Blouch, Mulroney: Are we having fun yet?

McDonagh's "Skull in Connemara,' by the Lantern (2nd review)

Between art and insult

A dedicated production and a hard-working cast unfortunately couldn't raise Martin McDonagh's 1997 play about a sinister Irish gravedigger from the dead. Pinter did it all better.
Robert Zaller

Robert Zaller

Articles 3 minute read
Urioste: Block out the audience.

Chamber Orchestra plays Faure, Mendelssohn and Beethoven

When everything clicks into place

The Chamber Orchestra's new leader programmed three widely varied pieces, introduced an electric young soloist, and led a post-concert discussion that was almost as interesting as the music itself.
Tom Purdom

Tom Purdom

Articles 4 minute read