Articles

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Gretchaninoff: With a little help from his friends.

In search of a forgotten composer

The world forgot, but I remembered

Why on earth is Alexander Gretchaninoff buried in central New Jersey? Why on earth am I searching for his grave? In some strange way, this obscure and forgotten Russian composer speaks to my own struggle to compose.
Kile Smith

Kile Smith

Articles 5 minute read
Callender (left), Pilla: When statues move.

Jeanne Ruddy's "Montage Ó Trois'

Painting and sculpting with the body

In Montage Ó Trois, Jeanne Ruddy and her dancers used the Pennsylvania Academy and its paintings to explore questions about where art comes from and how it moves us. Few site-specific works have achieved such power.
Jim Rutter

Jim Rutter

Articles 4 minute read
A storied past, but where is the glory?

Gregory Burke's "Black Watch' in Brooklyn

Seduction of the innocent

Black Watch is a darkly convincing portrayal of young men who enlist in the military and, sadly, find themselves out of their element. It put me in mind of my own dubious military experience a long time ago.

Marshall A. Ledger

Articles 6 minute read
Fujikara: Novel sounds.

Network For New Music: Debussy meets Japan

East meets West (again) and sound meets sight

Network for New Music contributed to the Philadelphia International Festival of the Arts with a program that mingled music and visuals, Eastern and Western musical traditions, and novel instrumental combinations.
Tom Purdom

Tom Purdom

Articles 3 minute read
Tang: Rare opportunity.

Dolce Suono's French evening

Beyond nostalgia

Dolce Suono probed the music that underlies the French legend celebrated in the Philadelphia International Festival for the Arts. It also inadvertently provided a new slant on a Debussy sonata.
Tom Purdom

Tom Purdom

Articles 3 minute read
Cook: A slithering snake? Why not?

French songs at Academy of Vocal Arts

We'll always have Paris

To recapture the spirit of French song in the age of Picasso, the Academy of Vocal Arts utilized paintings, film, live animals and genuinely idiomatic singers. One question: Why doesn't the AVA stage more French operas?
Steve Cohen

Steve Cohen

Articles 3 minute read
'Alter Ego (Formal/Informal)': A pun on itself.

Ron Isaacs at Snyderman-Works Gallery

Why are those leaves growing out of that dress?

The trompe l'oeil magician Ron Isaacs is a master of his craft, but he's also a storyteller, creating finely detailed works that use vintage clothing to tell tales of past lives.
Marilyn MacGregor

Marilyn MacGregor

Articles 3 minute read
Dlugosz, Struck: New light on an old character.

Miro Dance Theatre's "Punch,' and PIFA's trifecta

The Festival's Stravinsky trifecta

The “Let a thousand Parisian flowers bloom” approach to festival making opened the way to many outstanding productions and exhibitions. Consider, in particular, the synergy of three Stravinsky Pulcinellas, notably Miro Dance Theatre's raw and raucous Punch.
Jonathan M. Stein

Jonathan M. Stein

Articles 8 minute read
Malevich's 'Mystic Suprematism' (1920-27): Art's potential, or a dead end?

"Malevich and his American Legacy' in NY

The Russian connection

“Malevich and the American Legacy,” one of the most elegant and sheerly beautiful art shows of the season, traces the influence of the Russian Suprematist Kazimir Malevich on American art of the past half century, and makes a persuasive case for him as a seminal figure.
Robert Zaller

Robert Zaller

Articles 6 minute read
Mason as the Queen of Hearts: Does Disney own the rights?

"Wonderland' on Broadway

Wicked with a wink

Like Wicked, Wonderland is a spectacular Broadway musical based on a classic children's story. But it's certainly friendlier to adults than the bevy of child-oriented DreamWorks and Disney shows now inundating live theaters.
Steve Cohen

Steve Cohen

Articles 3 minute read