Articles

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Page 437
Herbert, Prisco, Mooney, Clemons-Hopkins: Not just the music, but the genre.

"My Way': Sinatra tribute at Walnut's Studio 3

Old Blue Eyes is back

My Way is as much of a tribute to Frank Sinatra's crowd and its ambience as it is to Old Blue Eyes himself. If you relish those folks and those times, here's a chance to renew old acquaintances.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Ormandy postage stamp, 1997: Not just another widget factory.

The Orchestra, the Barnes and the courts

A case that belongs in court, and a case that doesn't

The Philadelphia Orchestra has bankrupt leadership, a problem that won't be solved in court. The decision to move the Barnes Foundation was fraudulently obtained, and needs to go back to court. A great deal is riding on the proper resolution of both these issues, including perhaps the economic and cultural future of Philadelphia itself.
Robert Zaller

Robert Zaller

Articles 8 minute read
Images that ask: 'And then what?'

Tezh Modarressi's "Hard Times' at F.A.N. Gallery

One nagging question

Tezh Modarressi turns what could be a downbeat exhibition of old cars and trucks, less-than-thriving rural settings and run-down urban areas into a symphony of pleasant melancholy.

Andrew Mangravite

Articles 1 minute read
Capilla Flamenca: Belgian by-product.

Piffaro's Heinrich Isaacs concert

Mellowing with age

In 25 years, Piffaro has evolved from musical brawls to more refined Renaissance repertoire. Are all of us mellowing as we age along with Piffaro's musicians? Or is our appreciation of Renaissance music growing more sophisticated?
Tom Purdom

Tom Purdom

Articles 4 minute read
A woman's body, between the sensual and the chaste.

'Through the Skin' by Koresh Dance Company

Our bodies, ourselves

Through the Skin, Koresh Dance Company's new performance, articulates with breathtaking beauty the modern relationship between body and mind and invites the audience to do likewise.
Madeline Schaefer

Madeline Schaefer

Articles 4 minute read
Masur: Less taut but still grand.

Orchestra plays Shostakovich and Tchaikovsky

Exits and entrances

The Philadelphia Orchestra's Russian Spring continued with performances of the Shostakovich First and the Tchaikovsky Sixth symphonies under guest conductor Kurt Masur. Barely 30 years separate these works, but it seems more like a century.
Robert Zaller

Robert Zaller

Articles 5 minute read

Aszure Barton's "Blue Soup' and "Busk' at Annenberg

Expect the unexpected

The Baryshnikov protégé Aszure Barton uses— and subverts— our expectations about how dancers move and how meaning is communicated in dance.
Judy Weightman

Judy Weightman

Articles 2 minute read
Jazimina MacNeil as Idamante: Girls will be boys. (Photo: Jill Steinberg.)

Curtis Opera's "Idomeneo'

Mozart on the cusp of greatness

Idomeneo isn't Mozart's greatest musical creation, but it's the opera he produced just before the ultimate flowering of his talent.
Tom Purdom

Tom Purdom

Articles 4 minute read
Philibosian, Schoonover: Time to move on. (Photo: Robert Hakalsi.)

"Saturn Returns," by Theatre Exile (2nd review)

The fault, dear Brutus, isn't in the stars

Noah Haidle's masterpiece about growing old without growing up comes together gracefully under the deft tutelage of director Brenna Geffers and dramaturg David White, insuring a three-dimensional drama in a single act.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 2 minute read
Canuso, Schoonover: Sympathy for the devil?

"Saturn Returns' by Theatre Exile (1st review)

Oh, grow up!

Noah Haidle's play portrays a selfish man at three stages of his life. Alas, he fails to grow or mellow with age. That's bad news for him, for his women, and ultimately for the audience.

Pamela Riley

Articles 4 minute read