Articles

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Haas, Phelan: 'Why put on makeup?'

"Vigil' and older audiences at the Lantern

Why was I the only one laughing?

The wicked humor of Morris Panych's Vigil comes mostly at the expense of older audiences. That's bad news for cutting-edge theater in Philadelphia.
Christopher Munden

Christopher Munden

Articles 4 minute read
'Aida' by Philadelphia's High School of Creative and Performing Arts: When kids genuinely connect.

What the pros can learn from "The Cappies'

Teaching the Tonys a thing or two

The Cappies, an international project for high school theater and journalism students, is an awards show without commercials or long-winded acceptance speeches. And it's refreshing to see kids cheering for something other than sports.
Steve Cohen

Steve Cohen

Articles 3 minute read
Fahrner, Kunze: Fleshing out Puccini. (Photo: Mark Garvin.)

"Miss Saigon' at the Walnut

Beyond Butterfly

The Walnut's new production of Miss Saigon reaffirms the quality of its authors' work when they were at their short-lived peak. This play is more compact and focused than Les Miz, and more nuanced than Madam Butterfly, the play and opera on which Miss Saigon is based.
Steve Cohen

Steve Cohen

Articles 4 minute read
Norris, Shaurice: Where are the grown-ups? (Photo: Jim Roese.)

Ayckbourn's "My Wonderful Day' at the Wilma

Adults behaving childishly (and vice versa)

In My Wonderful Day, Ayckbourn has pulled off a rare feat: an adult comedy about adult childishness, abetted by the superb Wilma Theater production. It's the ideal tonic for an age that routinely confers responsibility on overgrown adolescents like Arnold Schwarzenegger and Dominique Strauss-Kahn.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Sweet land of camels, helicopters and grenade launchers: Life as a poor weaver sees it.

War rugs from Afghanistan at Penn Museum

Weaving and warfare

Oriental rugs, once an escapist pleasure, now chronicle a world of endless deadly warfare in Afghanistan. In a land whose artisans have rarely known peace, what did we expect?

Anne R. Fabbri

Articles 3 minute read
Heimes: Regal greeting.

Tempesta di Mare restores Telemann, Fasch and Janitsch

Treasures from the Red Army

By scouring the Red Army archives, Tempesta di Mare resuscitated a few baroque gems, not to mention some quirky valveless horns.
Tom Purdom

Tom Purdom

Articles 4 minute read
Dutoit: Floating through a landscape.

Orchestra plays Beethoven and Stravinsky (2nd review)

Beethoven's grandest finale

Charles Dutoit's Ninth didn't quite make it into the circle inhabited by Sawallisch and Milanov. But it came close, even if the soloists didn't quite measure up to the occasion.
Tom Purdom

Tom Purdom

Articles 3 minute read

Orchestra plays Beethoven and Stravinsky (1st review)

From Ravenna to Elysium

If Beethoven's Ninth is the great choral symphony of the 19th Century, Stravinsky's Symphony of Psalms is in many ways a 20th Century riposte. In pairing them, Charles Dutoit bridged two eras; in playing them, the results were uneven though the effort worthwhile.
Robert Zaller

Robert Zaller

Articles 6 minute read
Bindler and Holt making out: Manic irony, for a change.

Dance Affiliates' "A.W.A.R.D. Show'

Dancing for dollars

The A.W.A.R.D. Show series of competitive dance performances has returned, in yet another marketing attempt to rescue dance from the margins of American culture. In Philadelphia, the most refreshing work was Gabrielle Revlock's spoof of the competition itself.
Jonathan M. Stein

Jonathan M. Stein

Articles 6 minute read
Kinney’s ‘Wind, Water and Earth’: Painting with coal dust.

"Ecstatic Landscape' at the Gershman Y

Charlie's kids

Charles Burchfield believed in the call of nature; in this show, three very different artists respond to Burchfield's vision in ways that the master might not have imagined.

Andrew Mangravite

Articles 2 minute read