Articles

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Original idea, but the same old movements.

"Dancing Dead' by Brian Sanders

Waiting for Sanders to evolve

In Dancing Dead, choreographer Brian Sanders has developed a brilliant and original concept. Still, if you've seen one Sanders piece, you've seen the limits of his movement vocabulary.
Jim Rutter

Jim Rutter

Articles 4 minute read
Singel: Talent in search of substance.

Eric Singel's "The Wedding Consultant' at Walnut Studio 3

If you've seen one wedding….

Writer/performer Eric Singel rounds up every warmed-over wedding joke known to Western society to prove that weddings are indeed universally similar affairs”“ even gay weddings.
Alaina Johns

Alaina Johns

Articles 4 minute read
Stokowski and Mickey in 'Fantasia,' 1940: How to turn Disney fans into Orchestra fans.

The Orchestra vs. the Phillies

Think outside the box (and other advice the Orchestra has ignored)

The Philadelphia Orchestra is losing its audience while other orchestras— not to mention the Phillies— are growing their audiences. So why has the Philadelphia Orchestra board ignored or remained silent about a study that represents the best professional thinking for the future survival of American orchestras?

Clarence Faulcon

Articles 4 minute read
McDonald (right) with Philip Boykin: Must black singers kill their golden goose? (Photo: Michael Lutch.)

Black opera: Struggle and strategy

Beyond Porgy and Bess: Anyone for Amistad or Malcolm X?

Everyone loves Gershwin's Porgy and Bess and the vocalists who've sung its roles for the past 76 years. Will white audiences ever expand their listening menu to operas by black composers? And how can black musicians help push the envelope?
Maria Thompson Corley

Maria Thompson Corley

Articles 4 minute read
Rude Mechs as Burden disciples: So you think you're dedicated to theater?

"The Method Gun' at the Fringe Festival

Eat your heart out, Jesus: What Stella Burden's disciples did for art

The obsessive acting coach Stella Burden once drew five young actors together for nine years to rehearse the bit parts of A Streetcar Named Desire. She went crazy in the process, but her method— as portrayed in The Method Gun— revealed the profundity that often lies behind madness.
Jim Rutter

Jim Rutter

Articles 3 minute read
Castellan, Quinn: Above all, the need to be liked.

"The Arsonists' at the Fringe (1st review)

A play about Obama (written before he was born)?

When arsonists arrive to burn down your house, should you invite them to dinner and try to dissuade them? Max Frisch's The Arsonists (formerly called The Firebugs), written in 1953, speaks of moral responsibility and action in the face of personal threat. It doesn't seem the least bit outdated in this Fringe Festival offering.

Marshall A. Ledger

Articles 4 minute read

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Cairns: When despair becomes addiction

Luna Theater's "How to Disappear Completely' (1st review)

Stop the world— I want to get off (again)

Fin Kennedy's How To Disappear Completely is part meditation on selfhood and part how-to guide to changing your identity. Unfortunately, it succeeds at neither.
Jim Rutter

Jim Rutter

Articles 3 minute read
Spencer, Davis: Long-suffering silence.

"The Help': Racism, or just plain meanness? (1st review)

Sugarcoated segregation

Does The Help resurrect shameful stereotypes or provide worthy human and historical perspective in its portrayal of black maids in 1960s Mississippi? Tate Taylor makes it too easy to detach ourselves from the real problem.
Alaina Johns

Alaina Johns

Articles 5 minute read
But will it work on a stage?

Parkour: Daredevil movement at the Fringe

Somersault across a dumpster? Welcome to the urban world of Parkour

Dancers who leap off tenement rooftops and parking garages? Don't laugh. Hip-hop transformed dance a generation ago; the new movement style called Parkour may yet do the same.
Jim Rutter

Jim Rutter

Articles 4 minute read
Martin Luther King was white? Who knew?

The King Memorial fiasco

A monument to bad faith

Martin Luther King spoke of going up the mountain. He didn't speak of becoming one. The new memorial to him on the National Mall is both a moral and aesthetic disaster. The blame lies not in the inadequacy of King's vision, but of ours.
Robert Zaller

Robert Zaller

Articles 4 minute read