Articles

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Page 416
'The Billiard Table' (1944-52): Karate chops.

Braque: The painter's painter, in New York

Braque: Out of Picasso's shadow

Georges Braque, Cubism's co-founder with Pablo Picasso, has long played Joe Frazier to Picasso's Muhammad Ali. But he's a master in his own right, as his first exhibition in New York since 1988 makes clear.
Robert Zaller

Robert Zaller

Articles 5 minute read

BalletX's Fall Series

Real life in dance? Well, why not?

BalletX founders Matthew Neenan and Christine Cox started with a dream of pursuing the new and the different in movement. Their extraordinary Fall Series demonstrated that they're not only changing dance, but also changing people's lives in the process.

Janet Anderson

Articles 3 minute read
Gardiner: The thrilling thwack on the animal skin.

Orchestre Révolutionnaire at Verizon Hall (1st review)

Another way to hear Beethoven

When this orchestra plays, the needle is always in the danger zone, lending a bracing, edgy quality to the performances that enhances the truly revolutionary spirit of Beethoven's music.

Articles 4 minute read
Conallen (left), Ford: Implausible confessions.

"Gruesome Playground Injuries' by Theatre Exile

Is this what Nietzsche had in mind?

Gruesome Playground Injuries is a small play with a large theme: Nietzsche's notion that “Whatever doesn't kill me makes me stronger.” It's an edgy and ambitious two-person play that ultimately fails to live up to Theatre Exile's high production values.
Gresham Riley

Gresham Riley

Articles 5 minute read
Aleida (left), Viscardi: Five notes above high C.

AVA's "Tales of Hoffman'

With a little (posthumous) help from Offenbach's friends

The new and more authentic version of Offenbach's Tales of Hoffman resulted in a dramatically improved story as well as melodious music to replace those old bogus tunes that musicologists have expunged.
Steve Cohen

Steve Cohen

Articles 5 minute read
Frings (right) with Janis Dardaris in 'The How and the Why': Beyond entertainment.

An encouraging trend: Theater for grownups

Here come the grownups, or: Theater for thinking people

Until recently Philadelphia's theater community seemed mired in edgy plays about alienated 30-somethings in dysfunctional families. But four recent productions— all intelligent, challenging, profound, even elitist— suggest an encouraging new direction.
Jim Rutter

Jim Rutter

Articles 4 minute read
Shelton: A year of planning.

Dolce Suono's Holocaust concert

What we lost in the Holocaust

Dolce Suono's Holocaust concert passed the ultimate test for a concert devoted to an emotionally charged historic event.
Tom Purdom

Tom Purdom

Articles 5 minute read
Tina Benko as Desdemona: Passive no more.

The fury of today's stage heroines

He had it coming: When stage heroines fight back

Today's revived stage heroines like Medea, Lady Macbeth, Desdemona and Hedda Gabler will clearly do anything”“ even the unspeakable, including infanticide and suicide— to preserve their dignity. Apparently the image of a powerless woman is one that we simply can't tolerate today.

Carol Rocamora

Articles 6 minute read

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McLaughlin's 'Inside We Are All Alike': Pictures worth a thousand words.

Two disparate shows at DaVinci and Cerulean

If not now, when?

The DaVinci Art Alliance exhibits varying responses by 18 artists to various forms of discrimination. At the Cerulean Arts Gallery, meanwhile, ten accomplished artists seek to answer the eternal question: Is the time now? To both I say: Go for it!

Anne R. Fabbri

Articles 3 minute read
'Still Together': Darker and looser.

Lesa Chittenden Lim at F.A.N.

She's getting bolder

Give Lesa Chittenden Lim two trees and a moon and she'll create an image to haunt your dreams.

Andrew Mangravite

Articles 1 minute read