Articles

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Jane Austen's fictitous Bennets weren't rich;  their whole society was poor.

Sylvia Nasar's "Grand Pursuit'

The liberation of the 90 per cent

Why are we so much better off materially than our ancestors? The author of A Beautiful Mind tells the story of the economists who wrestled with the process that liberated humankind from “the nightmare of the past.”
Tom Purdom

Tom Purdom

Articles 4 minute read
DiDonato: Thrilling voice, but oh, those costumes. (Photo: Ken Howard.)

Met's "Enchanted Island' in HD-Live

Too much of a good thing, in your face

Big screen opera can be wonderful when its close-ups convey subtle gestures and notes. But as Enchanted Island demonstrates, the same proximity can make you gag when the characters are hamming it up to excess.
Steve Cohen

Steve Cohen

Articles 5 minute read
Reilly, Foster, Waltz, Winslet: Civilized indigestion.

Roman Polanski's "Carnage' (2nd review)

Fear and loathing in a Brooklyn livng room

Roman Polanski's Carnage is, for him, a minor chamber piece, but focused with his usual unerring eye for human weakness and absurdity. It's also a reminder of the judicial farce that has barred the celebrated director from America for more than 30 years.
Robert Zaller

Robert Zaller

Articles 4 minute read
Blomstedt: Echoes of Ingmar Bergman.

Blomstedt conducts Beethoven

What we hear vs. what Beethoven heard

Should Beethoven be performed in the grand Romantic style or in the tighter manner of Beethoven's own times? Herbert Blomstedt managed to straddle both sides of that fence.
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read

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McDonald (left) with Norm Lewis: An operatic performer in a made-for-Broadway show.

"Porgy and Bess' on Broadway

Porgy, we hardly knew ye

Can you improve on a classic like Porgy and Bess, let alone Shakespeare or Chekhov? Diane Paulus thought she could make Gershwin's classic more relevant to modern audiences. The result is a merely entertaining show, bereft of the passion and grandeur of the 1935 original.

Carol Rocamora

Articles 5 minute read
Bob Horn was a flawed deejay, but he broke Philadelphia's color line.

"Memphis' and the real dawn of rock 'n' roll

Blacks, whites and rock ‘n' roll: Memphis vs. the real ‘Bandstand'

As rock 'n' roll musicals go, Memphis seems unnecessary. The subject of racial integration among music lovers was well covered ten years ago in Hairspray. A far more intriguing tale— how Bob Horn's “Bandstand” brought black music to white Philadelphia audiences in the early '50s— has yet to be celebrated on stage.
Steve Cohen

Steve Cohen

Articles 5 minute read
$100,000 at Gagosian, or $7 at Wal-Mart?

A better way to destroy Damien Hirst

A free-market response to a truly dotty artist

Damien Hirst, AKA Britain's bad boy of art, sees contemporary art as a con game and the super-rich as his marks. But the rest of us can play this game too. After all, there are 99 of us for every one of them.
Victoria Skelly

Victoria Skelly

Articles 3 minute read
Dubus III and his father: Willful rejection. (Photo: Boston Phoenix.)

"Townie,' by Andre Dubus III

Behind the literary curtain

How could such a sensitive writer have been such an insensitive father? In Townie, the son wrestles with that puzzle.
Tom Purdom

Tom Purdom

Articles 4 minute read

"War Horse': Animals as friends

A four-legged friend goes to war

In northern California, where I live, War Horse touched a special chord. Many of our families depended on horses not so long ago, and we learned to respect them.

John L. Erlich

Articles 2 minute read

"Ludwig Live' at Kimmel's Innovation Studio

And then in 1822 I wrote…..

Where did Beethoven go wrong? For one thing, he lacked catchy lyrics. For another, he lacked a vivacious sidekick adept at baton twirling and tap dancing. Now he has both.
Steve Cohen

Steve Cohen

Articles 2 minute read