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Colman Domingo (left), Forrest McClendon: Liberals lampooned, too. (Photo: Paul Kolnik.)

Kander & Ebb's "Scottsboro Boys' by PTC (3rd review)

This time, the boys get a break

The Scottsboro Boys, a reminder of not so distant racial attitudes, deserves more exposure than it received on Broadway in 2010. In its focus on miscarriages of justice, it resembles Kander and Ebb's hit Chicago. But Scottsboro packs more substance.
Steve Cohen

Steve Cohen

Articles 2 minute read

Architecture: Five cents' worth

Yes you can (hire an architect)

Only 2% of American homes are architect-designed. But an innovative unemployed architect in Seattle may have found a way to make a living by servicing the other 98%. He could be the undoing of architecture's infamous star system.
Patrick D. Hazard

Patrick D. Hazard

Articles 2 minute read
Detail from ‘Resurrection of Lazarus’ (1897): What went on at his dinner table?

Henry Tanner's civil rights roots

Extraordinary painter, extraordinary family

With his retrospective at the Pennsylvania Academy Henry Ossawa Tanner is belatedly receiving his due as an artist. But the forces that shaped him— a family that fought courageously for racial justice— deserve to be acknowledged as well.
V Chapman Smith

V Chapman Smith

Articles 2 minute read
Yannick (above) brought an extra dimension to Mahler's fury.

Nézet-Séguin conducts Mahler (2nd review)

Yannick's first big test

Yannick Nézet-Séguin returned to his new Orchestra on a flying visit but with a weighty load: Mahler's titanic Sixth Symphony, which shared the program with Bach's Fifth Brandenburg Concerto. The lightly scored Bach was a bit swamped in Verizon Hall's cavernous spaces, but Mahler's mightiest score amply filled it in a disciplined and expressive reading.
Robert Zaller

Robert Zaller

Articles 4 minute read
Spacey makes us his accomplices in murder and mayhem.

Kevin Spacey's "Richard III' in Brooklyn

Slithering to the throne

Anyone who complains about Kevin Spacey's larger-than-life, over-the-top performance as Richard III is just plain jealous. What makes Spacey's Richard so fascinating is the way he seduces the audience along with his amorous conquests onstage.

Carol Rocamora

Articles 5 minute read
Dancing all the way to the electric chair.

Kander & Ebb's "Scottsboro Boys' by PTC (2nd review)

An idea that's off the rails

What's that you say? You can't get into snappy tap dances and rousing cakewalks about racism and lynching? Hey, where's your sense of humor?
Jackie Schifalacqua

Jackie Schifalacqua

Articles 2 minute read
Rodney Hicks (left), Forrest McClendon: Tell it like it really happened?

Kander & Ebb's "Scottsboro Boys' by PTC (1st review)

The memory of injustice, or: Let's put on a (very different) show

This first-rate production of an ingenious musical appropriately recalls an American racial nightmare of the 1930s. Unfortunately, in its preoccupation with laughing at racism it overlooks or, worse, lampoons some of the real heroes of that Alabama tragedy.

Marshall A. Ledger

Articles 6 minute read
The guts to take on a challenge.

Nézet-Séguin contemplates Mahler (1st review)

Yannick channels Stokowski (not to mention Mahler)

Yannick Nézet-Séguin sees next year's Philadelphia orchestra season as a homage to Stokowski's centennial here. But Yannick may be even gutsier than Stokowski in some respects. Consider his exuberant embrace of a Mahler work that Stokie avoided.
Steve Cohen

Steve Cohen

Articles 5 minute read
'A Pair of Boots' (1887): At heart, a plebeian artist.

'Van Gogh Up Close' at the Art Museum (1st review)

The world in a blade of grass

Though he probably never heard of Zen, “Van Gogh Up Close” reveals the Dutch master as a very Zen artist. He's as interested in grass growing in a field as he is in a starry night sky, the face of an aged peasant or a pair of old boots.

Andrew Mangravite

Articles 5 minute read
Effron: Swishes of the hips.

Curtis 20/21's All-Stravinsky concert

Learning from a master

Stravinsky throws an extraordinarily diverse range of influences— from early jazz to church hymns to folk music— into a breathtakingly concise package. I can't recall hearing it performed with as much pungent clarity and disciplined vigor as this.

Articles 3 minute read