Articles

6207 results
Page 400
Raabe: When our grandparents were young.

Max Raabe's Weimar cabaret at the Merriam

Old world, new sound

Max Raabe's burnished baritone voice, pomaded hair, white satin bow tie, tails and patent leather shoes all speak of a gentler time in Germany, before the unspeakable crimes committed in World War II.
Merilyn Jackson

Merilyn Jackson

Articles 5 minute read
Pavlovsky: Discovering a gentile's Jewish side.

Jerusalem Quartet plays Shostakovich

The caged nightingale had to sing

The Jerusalem Quartet's traversal of three mid-period Shostakovich quartets took stamina of every variety, but its musicians met the challenge, and brought out something other groups haven't: Shostakovich's deep affinity with Jewish music.
Robert Zaller

Robert Zaller

Articles 6 minute read
Hissom as Cyrano: A complex character in a modern idiom.

"Cyrano' at the Arden (1st review)

A Cyrano for our time

The polymath playwright Michael Hollinger has done it again. This time he takes a too-familiar century-old classic tragicomedy and infuses it with new allusions and linguistic flights of fancy suitable for the 21st Century.

Marshall A. Ledger

Articles 4 minute read
Miller  (left), McKenzie: No place left to move. (Photo: Alexander Iziliaev.)

'Curse of the Starving Class' at the Wilma (1st review)

Day of reckoning

Eastern urbanites may scratch their heads over the terminally dysfunctional rural family portrayed in Curse of the Starving Class. But Sam Shepard's caricature offers a profound allegory of the unintended consequences of the opening of the American West, more than a century after there was no more West left to open.
Dan Rottenberg

Dan Rottenberg

Articles 7 minute read
The Lascaux cave paintings (above) survived; imagine what didn't.

Cave dwellers, home design and the Penn Museum

Why cave dwellers didn't hire interior designers

How did prehistoric cave dwellers decorate their homes? What can they teach an interior designer like me? In my personal sanctuary, the awesome but underappreciated Penn Museum, I've found some answers.
Caroline Dunlop Millett

Caroline Dunlop Millett

Articles 5 minute read

Sign up for our newsletter

All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.

Sean Lally (top), Jake Blouch: Where are the social workers?

Lantern's "Romeo and Juliet' (3rd review)

Our grief counselors are standing by….

The Lantern's straightforward production of Romeo and Juliet got me thinking: What would become of these young lovers today, when instead of turning to a priest they could seek out Dr. Phil?
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Usher's 'Meditation E': A different voice than canvas.

"Works on Paper' at LGTripp Gallery

When artists try something different

What happens when artists who rarely work on paper are challenged to do just that? The result is something like a portent of spring.

Anne R. Fabbri

Articles 3 minute read
Blouch (left), DelMarcelle: Man as a creature at war with himself. (Photo: Mark Garvin.)

Lantern's "Romeo and Juliet' (2nd review)

On the mean streets of Verona

The Lantern's Romeo and Juliet is an American production in the best sense of the word: fresh, brisk and inventive, with insightful direction by Charles McMahon and an able and energetic cast.
Robert Zaller

Robert Zaller

Articles 7 minute read
David Graeme Baker's 'Wild Roses, Egg Shells and Copper Pot': Beauty in the details.

"Beyond Ordinary Still Life' at Artists' House

A farewell to fruit

The current witty and occasionally dazzling show at Artists' House attempts to restore the still life genre to its former glory: as a type of philosophical painting offering allegories of the transitory nature of life and the brevity of perfection.

Andrew Mangravite

Articles 2 minute read
Alexander (top) and Robbins: New life for a play about death.

Albee's "Lady From Dubuque' on Broadway

Edward Albee and the blessings of patience

Amid the slings and arrows of callous critics, Edward Albee has persevered at his craft for 52 years. Now Jane Alexander has lifted his difficult play about the angel of death into the land of surreal, provocative black comedy.

Carol Rocamora

Articles 5 minute read