Articles

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Page 394
Poe: How much does a patient recall?

Bruce Graham’s “Outgoing Tide” by PTC (3rd review)

What Bruce Graham doesn't know about Alzheimer's

To judge from The Outgoing Tide, Bruce Graham has mastered the basic elements of drama and comedy but not the subject of his play: Alzheimer's disease.
Steve Cohen

Steve Cohen

Articles 3 minute read
Higdon: Right time for a populist.

Curtis Orchestra plays Higdon, BartÓ³k and Brahms

The kids are all right

Jennifer Higdon, as much as any composer of her generation, has solidified the permanent significance of the American populist school, once led by Aaron Copland. Even from this youthful ensemble, her blue cathedral was rich and satisfying.

Articles 3 minute read
Dessay: No escaping that clock.

Met's "Traviata' in HD Live

One woman's race against time

Willi Decker's radical production isn't the only way to do Verdi's La Traviata, but it's a convincing alternative, especially with the inimitably vulnerable Natalie Dessay in the title role.
Steve Cohen

Steve Cohen

Articles 3 minute read
Richard Poe, Anthony Lawton in 'Tide': What's so bad about dependence? (Photo: Mark Garvin.)

Bruce Graham's "Outgoing Tide,' by PTC (2nd comment)

That ‘Better off dead' mindset, reconsidered

Bruce Graham's The Outgoing Tide buys into a widespread assumption: that people with Alzheimer's disease are better off dead. How and where can a dissenting theatergoer voice her objection?

Kelly George

Articles 3 minute read
Rattle: Was Brahms an introvert?

Rattle, the Orchestra and death

Rattle confronts the Grim Reaper

In its latter stages, Austro-German Romanticism mostly concerned the beauty of death. Simon Rattle demonstrated that he's learned something in Berlin about the subtle German approach to emotion.
Victor L. Schermer

Victor L. Schermer

Articles 3 minute read
Corden (left) with Oliver Chris: Walking sight gag.

"One Man, Two Guvnors' on Broadway

Marvelous mayhem by the seaside

Richard Bean, a standup comic, has reached into the oldest traditions of theater to deliver a hybrid farce of the highest order. Just don't sit too close to the stage.

Carol Rocamora

Articles 4 minute read
Kahn: Frozen in anger and woe. (Photo: John Bansemer.)

Shakespeare Theatre's "Titus Andronicus' (1st review)

The Bard as Revenger

Titus Andronicus is early Shakespeare, more gore than glory, but still well worth seeing in Aaron Cromie's canny and inventive staging.
Robert Zaller

Robert Zaller

Articles 5 minute read

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Hemsworth and pals: Can you tell that something bad's about to happen?

Drew Goddard's "Cabin in the Woods'

Horror flick with a conscience

At last: A horror film that asks its audience, “Why are you paying to see young people being butchered?”
Jake Blumgart

Jake Blumgart

Articles 3 minute read

Orchestra 2001 considers Bali (1st review)

What Boulez could learn from the Balinese

Orchestra 2001 spotlighted the relationship between Western music and Bali, in a concert that resembles a journey through exotic, sometimes rough terrain.
Tom Purdom

Tom Purdom

Articles 4 minute read
Paul Schulenburg's 'Art Lover': Quest for quiet contemplation.

On renewing my Art Museum membership

Far from the madding crowd, or: Surviving the new world of art museums

America's major art museums, strapped for funding, are revamping themselves into popular entertainment venues, and jacking up their membership fees in the process. What's a serious art lover to do? Let me suggest a few stimulating and affordable alternatives.
Victoria Skelly

Victoria Skelly

Articles 7 minute read