Articles

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Page 393
The author at work, 1969: What doesn't the Daily News know about me?

Confessions of an ex-go-go dancer

Sex object, or just another housewife? Confessions of an ex-go-go dancer

As the sweat pours down my fishnet stockings, these guys think they're gonna take me home and score, while I'm wondering if I can throw in a load of laundry before I heat up the leftover lasagna.
Merilyn Jackson

Merilyn Jackson

Articles 8 minute read
Clearfield: Europe meets Tibet.

Mendelssohn Club sings Clearfield and Fauré

The sum of Andrea Clearfield's parts

Andrea Clearfield's ambitiously sprawling Tse Go La is the latest fruit of the composer's musical field trips to Tibet and by far the most substantial: a fantastic amalgam of cross-cultural influences.

Articles 3 minute read
Ashkenazi, Bar-Aba: Who gets the credit?

Joseph Cedar's "Footnote' (2nd review)

Honor thy father

Joseph Cedar's Footnote is a savagely brilliant comedy of ideas that humanizes as prickly a set of personalities— Israel academics at the summit of Talmudic studies— as one could hope (or fear) to meet. It also raises significant issues of honor, authority and truth. Footnote. A film directed by Joseph Cedar. At the Ritz Five, 220 Walnut St. and other Philadelphia venues. For show times, click here.
Robert Zaller

Robert Zaller

Articles 10 minute read
Johnson: The price of narcissism.

Opera Company's "Manon Lescaut'

A vocal and visual knockout

The title role of Puccini's Manon Lescaut taxes even seasoned professionals. With just three weeks' rehearsal, the student Michelle Johnson carried it off with aplomb. Sumptuous costumes helped, too.
Steve Cohen

Steve Cohen

Articles 3 minute read
Hawkes, Olsen: Teaching, or just scaring?

"Martha Marcy' and the truth about cults

Beyond ‘Helter-Skelter': The not-so-awful truth about cults

As a movie, Martha Marcy May Marlene is an extremely scary thriller. As an examination of the cult phenomenon, it's simplistic propaganda the likes of which I— an authority on cults— haven't seen in 30 years.
Judy Weightman

Judy Weightman

Articles 8 minute read
Mancasola and Mason: Marian the Librarian, but with character flaws.

Donizetti's "L'Elisir d'Amore' by AVA

Donizetti meets Mussolini

Donizetti's L'Elisir d'Amore is a melodramatic comedy about love. Nic Muni's current production sets the story in Mussolini's Fascist Italy, where the stakes are life and death, not to mention damnation.
Steve Cohen

Steve Cohen

Articles 3 minute read
Beam: Practice, practice!

Lyric Fest: Three operas for children

Opera for kids meets
‘Anxious Parent Syndrome'

Lyric Fest, run by three mothers, opted for a riskier format for its annual children's concert, introducing its young audience to three famous but abridged operas.
Tom Purdom

Tom Purdom

Articles 4 minute read
A sort of Japanese elegance.

Jan Baltzell at Schmidt-Dean Gallery

If it's abstract, why not call it Untitled?

Jan Baltzell's luminous abstractions lack descriptive titles, and rightly so. Instead of trying to figure out her meaning, just let yourself be carried off by her looped and tangled lines, smooth textures and juicy colors.
Victoria Skelly

Victoria Skelly

Articles 3 minute read
Holum: A mother, but whose? (Photo: Trevor Martin.)

"Chimera': DNA anomalies at Swarthmore

Cooking in the DNA kitchen

Is a little knowledge about DNA a dangerous thing? Chimera is a dizzyingly smart, awfully witty yet ultimately tragic play about a new medical phenomenon.
Merilyn Jackson

Merilyn Jackson

Articles 3 minute read
Gamelan dancers: It's all in the arms, hands and fingers.

Orchestra 2001 considers Bali (2nd review)

Flash and substance, by way of Bali

Orchestra 2001's recent Balinese music and dance program combined flash with substance, and crowd appeal with enlightenment— a rare achievement.
Steve Cohen

Steve Cohen

Articles 3 minute read