Articles

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Page 392
None dare call her 'middle-aged.'

"Montage Ó Trois': Jeanne Ruddy's farewell

Jeanne Ruddy closes a chapter

In a dozen years as a wonderful part of Philadelphia's dance community, Jeanne Ruddy and her company found drama, tragedy and comedy not in theater or mythology but in everyday life. Her farewell was a beautiful blend of dance and artwork.

Janet Anderson

Articles 4 minute read
Gonglewski (left), O'Donnell: Rdiculous women who deserve each other. (Photo: Mark Garvin.)

1812 Productions does Mamet's "Boston Marriage'

David Mamet's woman problem

David Mamet supposedly wrote Boston Marriage to prove he can write substantive roles for women. He still hasn't.

Marshall A. Ledger

Articles 3 minute read
Pryce (left), Alex Haskell in 'The Caretaker': Cat and mouse.

Pinter and Chekhov in Brooklyn

Doom and gloom in London and Russia

Hopelessness seems be a recurrent theme at the Brooklyn Academy of Music this spring. Witness Pinter's unforgiving The Caretaker, and Chekhov's Three Sisters, taken to an expressionistic level that's just not Chekhovian The Caretaker. By Harold Pinter; directed by Christopher Morahan. Theatre Royal Bath/Liverpool and Everyman and Playhouse production through June 17, 2012 at Brooklyn Academy of Music, Harvey Theatre, 651 Fulton St., Brooklyn, N.Y. www.bam.org.

Carol Rocamora

Articles 6 minute read
Manchette: Enfant terrible of the New Wave.

Three noir novels by Manchette

Abandon all hope, ye who seek rational explanations

In Jean-Patrick Manchette's short, jazzy, ultra-violent thrillers, chaos reigns and moral codes count for very little.

Andrew Mangravite

Articles 3 minute read

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Gerdes: Summer rain in Iceland.

Chestnut Street Singers and the "Midnight Sun'

Amateurs in the best sense

Philadelphia's newest volunteer chorus consists of 14 voices without a leader, a payroll or any accompaniment. This month they demonstrated that they're up to the challenge.
Tom Purdom

Tom Purdom

Articles 3 minute read
'The Blue Dress': Carelessly electrifying.

Carlo Russo at F.A.N. Gallery

A visual poet

Most of Carlo Russo's current show consists of still life painting, but it's a certain type of still life in which the precision of the rending is shot through with visual poetry.

Andrew Mangravite

Articles 1 minute read
Vinson's 'Dolled Up': Playing the Nostalgia card.

Group show at Artists' House

A little this, a little that

This month Artists' House offers a group of small exhibits with something for every taste.

Andrew Mangravite

Articles 2 minute read
Alexander Peters as Pan (below) and Evelyn Kocak as Wendy: All this and aerial dancing too.

Pennsylvania Ballet's "Peter Pan' (1st review)

When ballet dancers fly: Neverland on Broad Street

Thanks to the spirited Pennsylvania Ballet premiere of this 2002 work by Trey McIntyre, Philadelphians now have the makings of a new children's classic that can become a recurring treat in the repertory.
Jonathan M. Stein

Jonathan M. Stein

Articles 4 minute read
'CITY': Isolating the individual from the group.

Bloom's "CITY' and Thirdbird's "Blind Date Trios'

Off with your clothes, Big Brother is back

In CITY, the Bloom! Dance Collective of Budapest riveted an Arts Bank audience with an evocation of authoritarian menace and control in a country where Big Brother is no longer a joke.
Jonathan M. Stein

Jonathan M. Stein

Articles 6 minute read
Ormandy (c. 1935) broke age barriers and race barriers, too.

Back to the future: Youth and the Orchestra

Back to the Orchestra's future: One musician's story

As the Philadelphia Orchestra's audience dwindles, much has been written about the need to reach out to young audiences. But how exactly does this process work? Let me demonstrate the long-range effect of vigorous youth music programs on a single individual: me.

Clarence Faulcon

Articles 4 minute read