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15th Century 'Book of Hours': More comforting than a digital clock.

'Tempus Fugit' at the American Philosophical Society

To turn back the pages of time

Antonia Contro's rare collaboration of art and philosophy reflects on the passage, perception and human measurement of time. But visitors must reach their own conclusions.
Alaina Johns

Alaina Johns

Articles 4 minute read
Matisse's 'Dancers': Miraculous transfer.

The new bittersweet Barnes (2nd review)

Welcoming the new, but missing the old

If you set aside the history of the Barnes Foundation, perhaps the new building and its contents can be viewed objectively. But how can anyone disregard history when we're talking about a museum— which is, after all, a place for preservation of the history of art?
Steve Cohen

Steve Cohen

Articles 5 minute read
Fuentescarlos

Carlos Fuentes as I remember him

The writer who bit his own tail

The magical but realistic novels of Carlos Fuentes are compendiums of pulsating narratives and capacious realms of knowledge. He wrote in a genre that raises questions at a time when all forms of story are suspect and knowledge is represented as what anyone can locate on the Internet.
AJ Sabatini

AJ Sabatini

Articles 7 minute read
Yogev, Fadeley: Next year, a program for kids?

Pennsylvania Ballet's "Peter Pan' (2nd review)

Peter, we hardly knew ye

Pennsylvania Ballet's Peter Pan was sumptuous and entertaining. But unlike The Nutcracker, it probably left most kids clueless about its original enchanting characters and story.

Janet Anderson

Articles 3 minute read
That same Barnes feeling, only dusted off. (Photo: Marilyn MacGregor.)

The new Barnes: Worth the wait (1st review)

The brilliance of Barnes, with more breathing room, too

In its new lodgings on the Parkway, the Barnes Collection looks reassuringly the same but wonderfully refreshed, and the art is as amazing as ever.
Marilyn MacGregor

Marilyn MacGregor

Articles 4 minute read
Fox: Polyphony, with a single instrument.

Tempesta di Mare's tenth birthday festival

Tenths for Tempesta's Tenth

For its tenth anniversary, Tempesta di Mare demonstrated that the Baroque repertoire is so rich and varied that you can assemble two meaty concerts even when you limit your selections with a gimmicky rule invented for a special occasion.
Tom Purdom

Tom Purdom

Articles 5 minute read
Radu: Surrounding music with atmosphere.

Vox Ama Deus plays Beethoven

A new way to hear Beethoven

Why would a small ensemble like Vox Ama Deus take on two pieces normally reserved for major orchestras? For a very good reason, it turns out.
Tom Purdom

Tom Purdom

Articles 4 minute read
Lithgow as Alsop: Extinct breed of super-pundit.

"The Columnist' and "The Best Man' on Broadway

Wheeling and dealing, '60s style

Mitt Romney might well seek consolation in the theater these days, where the spring season seems to be imitating the current political one in terms of accusations and revelations. The stage candidates, of course, are far more colorful than the real ones.

Carol Rocamora

Articles 6 minute read
Petrenko as Rasputin: Stalin's precursor?

Lost Soviet classic: Klimov's "Agony'

Anarchy vs. order in pre-Soviet Russia (and guess who wins?)

Agony, Elem Klimov's 1975 masterwork about Nichols II and Rasputin, was banned in Brezhnev's Russia, which isn't surprising. That is it was made at all, and on an epic scale that clearly required substantial state resources, is the real mystery.
Robert Zaller

Robert Zaller

Articles 6 minute read
Bunting (left), Mitchell, Schoonover: Essence of America? (Photo: Paola Nogueras.)

"Behanding in Spokane' by Theatre Exile

Man with a mission

A Behanding in Spokane combines Martin McDonagh's trademark violence and humor. It's a 90-minute play that requires great performances to succeed. Fortunately, Theatre Exile provided them.
Steve Cohen

Steve Cohen

Articles 2 minute read