Articles

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Page 389
His typewriter sang to me.

A Ray Bradbury remembrance (1st tribute)

My summer on the tongue with Ray Bradbury

After years of reading the late Ray Bradbury's work, I heard his voice: a genuine melody of words and images tumbling in mid-air until they hit the ear just as they hit the page.
Kathleen L. Erlich

Kathleen L. Erlich

Articles 3 minute read
Spratlan: Does God have a sense of humor?

Spratlan's "Hesperus' by Network for New Music and The Crossing

Spratlan's afterlife, with a dash of irony

For Hesperus Is Phosphorous, Lewis Spratlan created musical settings of three witty prose vignettes on the afterlife taken from Sum, an odd little international bestseller by the neuroscientist David Eagleman.
Tom Purdom

Tom Purdom

Articles 4 minute read
Abeles, Perrier: Stand up like a man, already!

LaBute's "reasons to be pretty' by PTC

Beautiful but miserable

Like its predecessors in Neil LaBute's trilogy, reasons to be pretty throws together four insecure young people with hangups about beauty and their friends' opinions.
Steve Cohen

Steve Cohen

Articles 3 minute read
Kitson, DaPonte: Broken promises, feverish dreams.

Tony Kushner's "A Dybbuk,' by EgoPo

Sympathy for our devils

Tony Kushner's adaptation of The Dybbuk concerns unrequited love among Hasidic Jews in Eastern Europe. But mysticism is only part of this tale: The story works for skeptics as well as for believers, and for non-Jews as well.
Steve Cohen

Steve Cohen

Articles 4 minute read
Coon: Short-changing the 17th Century.

"Tulipomania' at the Arden (2nd review)

When the present interferes with the past

The intriguing story of Amsterdam's 17th-Century tulip mania somehow got subordinated within a fictitious story set in a present-day pot bar. Michael Ogborn should have let the audience draw its own comparisons.
Steve Cohen

Steve Cohen

Articles 3 minute read
Like Chartres, the Barnes in Merion (above) was designed as an expression of faith.

The anti-Barnes on the Parkway

On moving Chartres Cathedral to Ben Franklin Parkway

The Barnes Foundation's home in Merion was the Chartres of Modernism, designed by Albert Barnes to proclaim that the greatest European art of his own time represented a radically new way of seeing the world, as well as a reaffirmation of the great art of the past. So, would the French move a great cathedral to Paris to double the tourist draw?
Robert Zaller

Robert Zaller

Articles 5 minute read
Braithwaite (left), Cella: A portent of John F. Kennedy?

"My Fair Lady' at Act II in Ambler

Henry Higgins, male chauvinist no more

Is it possible to improve on Rex Harrison as Henry Higgins? Tony Braithwaite has a youthful spring in his step that renders him more plausibly romantic.
Steve Cohen

Steve Cohen

Articles 4 minute read

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'Champagne Charlie': Drinks that did, and didn't, stand the test of time.

"Uncorked!': Wine history at Winterthur

Have a cup of caudle, or: The good old days of drinking

Winterthur's “Uncorked!” looks at drinking over the centuries with an abundance of fascinating objects that tell stories about a favorite pastime.
Marilyn MacGregor

Marilyn MacGregor

Articles 3 minute read
Exile to Elba taught him a lesson, didn't it?

Lantern's "The Island' (3rd comment)

Out of sight, out of mind: Why island prisons don't work

Island prisons like Robben Island and Guantánamo share one notable characteristic: They never solve the problems that created them.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Heller (left), Bustamante: In search of a quick fortune.

"Tulipomania' at the Arden (1st review)

A good investment

Tulipomania concerns greed, not as a deadly sin but as a by-product of market opportunity. For a musical about 17th-Century Holland, it sounds all too contemporary.

Marshall A. Ledger

Articles 6 minute read