Articles

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The Foremost Building: No stage in sight, but what a view!

Bright Light's "The Fifth Floor'

Standing room only

Why didn't Shakespeare think of this? The Fifth Floor is a drama performed entirely in an elevator, complete with real (albeit unsuspecting) passengers who have no idea what they've stumbled into.
Alaina Johns

Alaina Johns

Articles 4 minute read
Yannick: In the footsteps of a crowd-pleaser.

Yannick's homage to Stokowski (2nd review)

Stokowski's excitement, rekindled

At last weekend's Stokowski's celebration, the performances justified the palpable excitement. Yannick Nézet-Séguin has set the bar for the Philadelphia Orchestra very high indeed.
Steve Cohen

Steve Cohen

Articles 4 minute read
Parsons (right) with Jessica Hecht: Pleasant is better than smart.

"Harvey' on Broadway

Rabbit on a slippery slope

Long before the American theater of the absurd, Mary Chase's Harvey offered useful lessons about the value of an active imagination as a survival tool in an absurd world.

Carol Rocamora

Articles 5 minute read
Encounters at the intersection between life and death.

Bill Viola's "Ocean Without a Shore' at PAFA

A mythic underworld, coming at you

The characters in Bill Viola's video installation, soaking wet and fully fleshed, seem more real than real, as if they have pushed right through their screens into the room. It's a compelling experience of mythic human narratives.
Marilyn MacGregor

Marilyn MacGregor

Articles 3 minute read
Zion Hill Church: If these walls could talk— and now they do.

Commotion Festival: The city as a work of art

The city you thought you knew

What James Joyce did for Dublin, Commotion Festival is doing for three emerging Philadelphia neighborhoods— that is, savoring the poetry in the lives of ordinary urban people and places.
AJ Sabatini

AJ Sabatini

Articles 6 minute read
Like a cool idea thrown together at the last minute.

Ridley Scott's "Prometheus'

Ridley Scott phones it in

With Prometheus, the acclaimed director Ridley Scott falls afoul of Blumgart's Law, to wit: The bigger the author or director, the more likely he is to be given a free hand, to the detriment of his work.
Jake Blumgart

Jake Blumgart

Articles 3 minute read
Yannick: One test down, one to go.

Yannick's homage to Stokowski (1st review)

Yannick's Stokowski quandary: Showmanship or artistry?

In four memorable concerts this past weekend, the Philadelphia Orchestra's new leader, Yannick Nézet-Séguin, paid homage to the showmanship and musicianship of its late conductor Leopold Stokowski. He also demonstrated that he still has a thing or two to learn from Stoky.
Victor L. Schermer

Victor L. Schermer

Articles 6 minute read
'Fahrenheit 451': A not inconceivable future.

Ray Bradbury: science fiction writer (2nd tribute)

Can a serious writer contemplate the future?

Literary pundits embraced Ray Bradbury because they mistakenly saw him as someone who shared their distaste for technology. On the contrary, he was a science fiction writer to the core, captivated by technology and its implications for humanity's future.
Tom Purdom

Tom Purdom

Articles 5 minute read
Stoky phoned kids for their advice.

Stokowski's forgotten Youth Concerts

The maestro who listened to teenagers

Leopold Stokowski may have terrorized his musicians, audiences and board members, but he forged a genuine connection with teenagers that the Philadelphia Orchestra hasn't achieved since his departure.
Steve Cohen

Steve Cohen

Articles 3 minute read
Two capable men, undone by mutual hatred.

Robert Caro's Lyndon Johnson

Be careful what you wish for: Lyndon Johnson assumes power

Just below the surface of Robert Caro's praise for Lyndon Johnson's assumption of the presidency in 1963 lurks an underlying, fundamental belief that LBJ's demons outnumbered his angels.
Armen Pandola

Armen Pandola

Articles 10 minute read