Articles

6207 results
Page 380
Omari (left), Aharanwa: Life, death and the black man's place in the world.

Wilson's "Seven Guitars' at People's Light

We are the world: Post-war, but pre-Civil Rights

August Wilson's long and rich character study about a group of friends and lovers in post-war Pittsburgh receives a superb revival at People's Light.

Bill Murphy

Articles 3 minute read
Pauls: In search of a climax.

Walking Fish Theatre's "Three Wishes'

Up the organization

Gerald van Wilgen's spirited spoof of corporate life provides a refreshing reminder of the Fringe Festival's original mission: to provide a local showcase of offbeat fun and (decidedly adult) games.
Robert Zaller

Robert Zaller

Articles 3 minute read
Robinson (right) with Burstyn in 'Gardens': Only the strong survive?

'Marvin Gardens' and Woodstock's lost innocence

Life imitates art: The lost lady of Marvin Gardens

In The King of Marvin Gardens I sensed Bob Rafelson flinging his seasoned assessment of Nixon's America into America's teeth. Perhaps tellingly, the adults involved in this dark and quirky film subsequently flourished, while its only cast member from the Woodstock/Aquarius generation perished.
Bob Levin

Bob Levin

Articles 8 minute read
Spinoza (above) was luckier than Thomas More or Joan of Arc.

"New Jerusalem': Another side of Spinoza's story (2nd commentary)

Spinoza and his community: The other side of the story

No question, Baruch Spinoza was a heroic figure who stood up courageously for his principles. So were St. Thomas More, Joan of Arc, Galileo and other heroes of “test of faith” drama. But so was my marrano ancestor who was undoubtedly present at Spinoza's excommunication.

Carol Rocamora

Articles 6 minute read
Sheeny, Bortolussi: Haunted by a raven.

"Red-Eye to Havre de Grace' at Live Arts Festival

Once upon a midnight dreary

Edgar Allan Poe, that master of the macabre, couldn't tell the best story of all: his own mental disintegration and collapse. But Thaddeus Phillips and his team could, and did.

Marshall A. Ledger

Articles 6 minute read
Would you buy a used documentary from this man?

Dinesh D'Souza's '2016: Obama's America'

The roots of Dinesh D'Souza's rage

Dinesh D'Souza's 2016: Obama's America poses as a documentary but is a cynically over-the-top appeal to the lunatic fringe that sees Barack Obama as the fount of all evil and the antithesis of American values. Go for the laughs; this presidential campaign could sure use a few.
Robert Zaller

Robert Zaller

Articles 7 minute read
Paul Simon knows what I'm talking about.

Why computers can't replace composers

But can a computer say ‘Oo oo oo'?

Computers already beat chess masters and produce notes for composers. But could they replace Beethoven or Puccini some day? The answer is no, for three reasons.
Kile Smith

Kile Smith

Articles 5 minute read
Surtitles multiply the slapstick fun.

Poor Richard's "Falstaff' at Fringe Festival

Verdi meets Facebook

By raising surtitles to a supporting role, Poor Richard's Opera multiplied the fun that Verdi and Shakespeare built into the adventures of Sir John Falstaff. Falstaff. Opera by Giuseppe Verdi, from Shakespeare's play. Siddhartha Misra, stage director; Laurie Rogers, music director/conductor/surtitles; Ting Ting Wong, piano; Jeremy Gill, alternate conductor. Poor Richard's Opera production for Philadelphia Fringe Festival through September 15, 2012 at Trinity Center for Urban Life, 2212 Spruce St. livearts-fringe.ticketleap.com/falstaff.
Tom Purdom

Tom Purdom

Articles 3 minute read
Cartafalsa: Cruise ships are defnitely out.

"The Bucket Cure' at the Fringe Festival

The phobia that dare not speak its name

Where else but the Fringe Festival can you find a play about fear of vomit? But don't be put off: Christine Cartafalsa's script expertly zeros in on the ways that an outwardly insignificant issue can infect every part of a marriage when partners lack the ability to cope.
Alaina Johns

Alaina Johns

Articles 3 minute read
If 150 Philadelphians can dance together...

Sylvain Émard's Grand Continental at Live Arts Festival

What Barack and Mitt could learn from the Fringe

In Le Grand Continental, ordinary citizens achieved the impossible. Is there a lesson here for local and national governments?

Kelly George

Articles 1 minute read