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Phoenix (above) could have taught Brando about physicality. (Photo: Phil Bray.)

Paul Thomas Anderson's "The Master' (2nd review)

The American Dream as nightmare

Paul Thomas Anderson's The Master hauntingly juxtaposes two stories of American madness in the aftermath of World War II, one about a berserk veteran and the other about a cult leader. With a superb Philip Seymour Hoffman, and an astonishing Joaquin Phoenix.
Robert Zaller

Robert Zaller

Articles 7 minute read
Teti as Twain: Barbs for Ben Franklin.

'Mark Twain' at People's Light

Tried and true

A one-man show about Mark Twain isn't exactly an original idea, but with material like this, who cares?

Bill Murphy

Articles 2 minute read
A Morris textile: Regret at 'ministering to the rich.'

Learning to love William Morris

A dreamer in industrial London

The 19th-Century British arts and crafts innovator William Morris is being honored in London. High time I appreciated a medievalist whom I used to despise for all the wrong reasons.
Patrick D. Hazard

Patrick D. Hazard

Articles 3 minute read
Autographs cost extra.

Schwarzenegger's "Total Recall'

Buy my book or I'll kill you, or: The Terminator's promotional tour

Move over, Marcel Proust. The Terminator's memories are bigger, badder and surely more shameless than anything you conjured up by biting into a cookie.
Perry Block

Perry Block

Articles 2 minute read
Childs and Jadico as Ann and Mitt Romney: Camaraderie counts.

"This Is the Week That Is,' by 1812 Productions (2nd review)

The case for live political satire

Jon Stewart and Steven Colbert may be the kings of political satire, but there's no substitute for a live revue that involves the audience— especially when the troupe in question hits its target more often than, say, “Saturday Night Live.”
Steve Cohen

Steve Cohen

Articles 3 minute read
'Crescendo': Is that sun rising or setting?

Stan Sperlak's "Rising' at Cape May

How you gonna keep 'em down in Provence after they've seen Cape May?

Stan Sperlak's Cape May County pastels almost make you believe there's no difference between southern Jersey and southern France. Almost, but not quite.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Julian as Jesse: Wonders of a dime museum.

EgoPo's "Jesse James'

Robin Hood he wasn't

From dime novels, folk songs and contemporary newspaper stories about Jesse James and his gang, EgoPo has ingeniously cobbled together the sort of vaudeville show that would have pandered to the bank robber's devotees after his murder in 1882.
Steve Cohen

Steve Cohen

Articles 4 minute read
Phoenix (left), Hoffman: Naked agony.

Paul Thomas Anderson's "The Master' (1st review)

Is this Citizen Kane, or The Lost Weekend?

Contrary to its misleading title, The Master isn't about a false messiah but about one of his pathetic acolytes. Director Paul Thomas Anderson seems not to understand that sumptuous photography and penetrating acting are no substitute for story.
Susan Beth Lehman

Susan Beth Lehman

Articles 4 minute read
Fraelich: Medicated sadness. (Photo: Mark Garvin.)

"Next to Normal' at the Arden (1st review)

The things we notice when we turn down the volume

Unlike the Broadway musical, which looked and sounded like a rock concert, Terrence Nolen's Arden production brings out the quiet yet deep emotions of a family dealing with illness and loss.
Steve Cohen

Steve Cohen

Articles 3 minute read
Bond, Krodman in 'Colony': Just two colors, plus lipstick.

Dance at the Fringe: Something missing

Looking for dance in all the wrong places

This year's Philadelphia Live Arts/Fringe Festival offered a great deal of movement but precious little in the way of genuine dance. A loss of funding was the culprit.
Merilyn Jackson

Merilyn Jackson

Articles 7 minute read