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Ward, Marrazzo, DuPlantis: What next?

Spanish songs by Lyric Fest (1st review)

Three unpredictable women

Lyric Fest transformed a concert of Spanish and Latin American songs into a complex historical trip through two continents.
Tom Purdom

Tom Purdom

Articles 4 minute read
Hanks, Berry: Is everything connected?

The fog of "Cloud Atlas'

A mess with a message

As a novel, David Mitchell's Cloud Atlas is a work of sprawling, ambitious complexity linking six stories over three centuries. The film adaptation is equally sprawling and ambitious but makes little sense.
Jake Blumgart

Jake Blumgart

Articles 5 minute read
Affleck in Khomeini's shadow: Where are you, Stanley Kubrick?

Ben Affleck's "Argo': CIA in Iran

How not to make a movie

Ben Affleck's Argo, about the real-life rescue of six U.S. embassy personnel from Iraq in 1980, begins promisingly as a satire on Hollywood filmmaking and CIA ineptitude but soon settles into Hollywood formula. Despite Affleck's liberal bona fides, it's finally a contribution to political reaction.
Robert Zaller

Robert Zaller

Articles 7 minute read
Beethoven at work: Propinquity will do the trick.

How composers really work

Advice for aspiring composers: Stop all that strolling, and just stand still

Many people think composers do our composing on long walks. But to get any real work done, you've got to attach your posterior to a chair and have music paper in front of you. Consider how I composed “Softly and Tenderly.”
Kile Smith

Kile Smith

Articles 5 minute read
Craig in 'Skyfall': A vulnerable Bond?

"Skyfall': The allure of James Bond

We expect you to die, Mr. Bond — but not just yet

Why do we still care about James Bond? The films are mostly disappointing, and the Ian Fleming novels are downright embarrassing. No matter: We Americans are hopelessly hooked on British suavity and probably always will be.
Jake Blumgart

Jake Blumgart

Articles 4 minute read
Wills (left), Coon: A sweeter Professor Hill. (Photo: Mark Garvin.)

"The Music Man' at the Walnut

The way we wish we were

In retrospect, Meredith Willson's corn-fed Music Man has aged better than Leonard Bernstein's pseudo-realistic West Side Story. There's something to be said for unabashed fairy tales.
Steve Cohen

Steve Cohen

Articles 3 minute read
Eisenstein at work: Currying favor with Stalin?

Orchestra plays "Alexander Nevsky' (2nd review)

Don't mess with Mother Russia

This dusty old black-and-white film still packs a wallop, and the Philadelphia Orchestra deserves high praise for staging an exceptionally well prepared and powerfully executed production of this masterful mélange of art forms.

Articles 3 minute read
Hamelin: Shostakovich without terror.

Takács Quartet at the Perelman

More questions than answers

The Takács Quartet brought three substantial works to its recital in the Chamber Music Society series, with Marc-André Hamelin joining it for one. The haunting Britten Third Quartet was the program's centerpiece.
Robert Zaller

Robert Zaller

Articles 6 minute read
Nicholas (left), Burns: Love or deceit, or both?

Theatre Exile's "The English Bride'

Truth, lies and self-delusion

Lucile Lichtblau's fascinating psychodrama deliberately keeps the audience in the dark about the motives and pressures of terrorists, spies and victims. The play's perceptive point is that all of us tell lies— most often to ourselves.
Steve Cohen

Steve Cohen

Articles 2 minute read
Did Eisenstein know that those scary knights were actually monks?

Orchestra plays "Alexander Nevsky' (1st review)

More than meets the ear, less than meets the eye

I've always loved Prokofiev's Alexander Nevsky cantata, drawn from Sergei Eisenstein's 1938 film after the fact. But hearing the music performed with this lugubrious film reminded me that propaganda rarely succeeds as drama.

Andrew Mangravite

Articles 3 minute read