Articles

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Page 370
Matsuev: Rapid but not rushed.

Orchestra's All-Rachmaninoff concert

A musical aristocrat (in the very best sense)

The Philadelphia Orchestra plays Rachmaninoff as well as any in the world, so why not double down? A risky proposition, you might think— but if great orchestras didn't embrace risky propositions, where would Mozart and Beethoven be today?
Robert Zaller

Robert Zaller

Articles 6 minute read
Helga survived; now her  daughter works with children of Holocaust perpetrators.

Helga Weiss's Holocaust diary

A new generation confronts the Holocaust

As Holocaust survivors and perpetrators die off, will that most horrifying human experience fade from memory? As a child of Holocaust victims, I can attest that the opposite is true: What the traumatized survivors wish to forget, their children are even more determined to confront.
Martin Beck Matustik

Martin Beck Matustik

Articles 4 minute read
'Roman Summer' (2012): Magnetic luminescence.

Stephen Estock's "Hungry Eyes' at Schmidt Dean

Now you see it….

Stephen Estock's abstract paintings seem serene at first, but look again. Their complexity lies in all the layers of paint that create the final impression.

Anne R. Fabbri

Articles 2 minute read
The Meiravis: Busy, busy.

Meiravi Quartet contemplates BartÓ³k

Why listen to BartÓ³k?

Was BartÓ³k's music about the clash of folk culture and the machine age? A new quartet added its bit to an old discussion.
Tom Purdom

Tom Purdom

Articles 4 minute read
Lofton's chorus couldn't see him.

AVA's "Jubilate': Religion as opera

Taking opera to church

AVA's budding opera stars added operatic flair to the school's annual foray into religious music, performing as if they'd constructed characters who were singing their pieces.
Tom Purdom

Tom Purdom

Articles 3 minute read
Can you tell the actors from the audience?

Van Hove shakes up Shakespeare

Friends, Romans, countrymen, lend me your iPhones

If you want to explore new frontiers in the theater world just follow the Dutch director Ivo van Hove wherever he goes. In his hands, all of our cherished theatrical conventions are suddenly rendered anachronistic.

Carol Rocamora

Articles 6 minute read
Hay: Can dancers think for themselves?

Deborah Hay, queen of improv

The antithesis of a control freak

Unlike most choreographers, Deborah Hay encourages dancers to stamp their own personalities on her work. The short-term results of this experimentation can be underwhelming, but over the long run the rewards are profound.
Merilyn Jackson

Merilyn Jackson

Articles 5 minute read
Manstsai, Cronje: Trapped in a pressure cooker.

"Mies Julie' in Brooklyn

Move Strindberg to South Africa, and what do you get?

Yael Farber's inspired but shattering metaphor for the struggles of modern South Africa is the most violent, sexually explicit and contextually insightful play I've seen in a long time.

Carol Rocamora

Articles 5 minute read
A loaf of bread, a jug of wine, a giant TV screen, a Naugahyde sofa... and not thou.

The man cave as intimate space

No girls allowed: The man cave as design challenge

Henpecked husbands are rebelling by carving out their own domestic retreats where they can smoke cigars, watch porno films and slurp pizza free from wifely constraints. It's a psychologically healthy method of escaping without getting away.
Caroline Dunlop Millett

Caroline Dunlop Millett

Articles 3 minute read
Billy Magnussen, Sigourney Weaver: A softer (albeit still manic) Durang.

Durang's "Vanya and Sonia"¦.' in New York (2nd review)

A Chekhovian lament for our times

Christopher Durang's blender version of Chekhov's plays may go down in theater history, alongside the Bard mash-ups by the Reduced Shakespeare Company, as one of the funniest send-ups of the classics ever.

Carol Rocamora

Articles 4 minute read