Articles

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Page 365
Anthony, Aubrey Mae Davis: Spielberg knew better.

"Catch Me If You Can' on national tour

Calling Professor Harold Hill

Some musicals about con men succeed (think The Music Man); others, like this one, fail— because complex scams aren't easily explained in songs competing with a blaring orchestra.
Steve Cohen

Steve Cohen

Articles 3 minute read
Fenton's 'Swept and Scoured Point': Pure, clean Northern air.

Leslie Fenton and Leo Sewell at Rosenfeld Gallery

When opposites attract

Defying conventional odds, two very different artists, when placed together, enhance each other's work and create an environment that you hate to leave.

Anne R. Fabbri

Articles 3 minute read
Cooper: Pound when appropriate.

Orchestra's maestro-less Mozart

Mozart sans maestro

Which conductor gets the most out of Mozart? The Philadelphia Orchestra's recent program suggests that the answer may be: no conductor at all.
Tom Purdom

Tom Purdom

Articles 4 minute read
Peter Rabbit proved useful when Beatrix Potter dealt with her publishers.

Three shows at the Morgan in New York

J.P. Morgan's Cabinet of Curiosities

The Morgan Library can always be counted on for a rollicking good time, if your taste runs to the quietly magnificent and extravagantly obscure.
Marilyn MacGregor

Marilyn MacGregor

Articles 4 minute read
Kupka, 'Localization of Graphic Motifs II' (1912–13): Suddenly, the old rules no longer applied.

"Inventing Abstraction' at the Museum of Modern Art

De-realizing the ‘real'

The Museum of Modern Art's broad survey of the first generation of abstract art conveys for the first time an adequate sense of the scope and excitement of the movement toward abstraction as it swept— and permanently transformed— Western art, not to mention literature, dance, film and even science.
Robert Zaller

Robert Zaller

Articles 8 minute read
Burstyn, Ben Rappaport, Grace: Beneath the surface, not so idyllic.

Inge's "Picnic,' revived in New York

A woman's place in Eisenhower's America

Behind William Inge's sunny, gentle slice of small-town Americana from 1953 lies another, quite sobering story. A woman's life in that sweet little Kansas town was rigid and restrictive, to say the least.

Carol Rocamora

Articles 6 minute read
Hymel: Late replacement.

A mammoth "Les Troyens' at the Met

Homer and Virgil, in ‘only' five acts

Les Troyens is a mammoth work that's rarely staged, for understandable reasons. The new Met production defied the range of one fine tenor, but a little-known replacement came to the rescue.
Steve Cohen

Steve Cohen

Articles 3 minute read

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Meehan (left), Czajkowski: Neil Simon, warmed over. (Photo: Alexander Iziliaev.)

Leslye Headland's "Assistance' at the Wilma

O, to be young, shallow and exploited

Working for a tyrannical boss is no fun. Neither is Leslye Headland's tired attempt to wring comedy from the situation. Assistance. By Leslye Headland; David Kennedy directed. Through February 3, 2013 at the Wilma Theater, Broad and Spruce Sts. (215) 546-7824 or wilmatheater.org.
Steve Cohen

Steve Cohen

Articles 2 minute read
Paquin: The more needy, the more sexualized.

Real life: Kenneth Lonergan's 'Margaret'

The unpredictable messiness of real life

Contrary to what you see in most movies and plays, “happy endings” last at best for a few days, and more likely a few hours. Kenneth Lonergan's haunting Margaret is that rare film that captures reality with gripping accuracy— if you can find it.
SaraKay Smullens

SaraKay Smullens

Articles 4 minute read
Duchamp's 'The Bride Stripped Bare': Breaking boundaries.

Art Museum's "Dancing Around the Bride' (2nd review)

Before you dance with Duchamp, walk with him

By making art from ordinary objects, Duchamp and his colleagues sent a message: It's not the work of art but the work of imagination that's essential to creativity.
AJ Sabatini

AJ Sabatini

Articles 5 minute read