Articles

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Zabryna Guevara, Armando Riesco: On on-line family. (Photo: Richard Termine.)

"Water By the Spoonful' in New York

Forgiveness and redemption in a virtual world

Tired of cynical plays about dysfunctional families? The beautiful Water By The Spoonful offers a refreshing change of pace: a “family” of lonely humans connecting and uplifting each other in cyberspace.

Carol Rocamora

Articles 4 minute read
Martello: Hag with unexpected facets.

McDonagh's "Beauty Queen of Leenane' at the Lantern (2nd review)

Learning to appreciate Martin McDonagh

Martin McDonagh is best known for the escalating violence of his dramas. So I arrived at a new appreciation for the intimacy and sad sweetness of this domestic tale, his first work.
Steve Cohen

Steve Cohen

Articles 2 minute read
Yannick took Bruckner outdoors. (Photo: Chris Lee.)

Yannick's new take on Bruckner

Bruckner, unhurried and very Austrian

Never have I heard Bruckner sound so Austrian as he did last weekend under Yannick's baton— not Classical, not Wagnerian, but relaxed in an Austrian way.
Steve Cohen

Steve Cohen

Articles 2 minute read
Sottile and Farhner: Un-tempting seductions. (Photo: Mark Garvin.)

Oscar Wilde's "Ideal Husband' at the Walnut (1st review)

Oscar Wilde gets serious

At the fringes, Oscar Wilde's characters in An Ideal Husband convey a spritely delight in mocking the staid practices of a moralistic society. But Wilde keeps dragging them into a ludicrous plot that he wants us to take seriously.
Jake Blumgart

Jake Blumgart

Articles 4 minute read
Greer as Hamm: King without power.

Beckett's "Endgame' at the Arden (1st review)

Beckett, with a smidgen of hope

Kevin Depinet's set prompts a fresh look at a Beckett classic. It's a specific illustration of the end of a world as we knew it; but it's not quite the end of civilization, as Endgame has been interpreted in the past.
Steve Cohen

Steve Cohen

Articles 3 minute read
Goode made the audience forget the problem.

Richard Goode plays late Beethoven

Realms of elation

Richard Goode's annual Philadelphia recital brought a lifetime of engagement to Beethoven's last three piano sonatas, which collectively constitute one of the summits of musical literature.
Robert Zaller

Robert Zaller

Articles 5 minute read
It all started with a stolen notebook.

Andrei Codrescu's "Bibliodeath'

Requiem for the printed word

Andrei Codrescu grew up in Communist Romania, where printed words were deemed more dangerous than bombs. Now he lives in a virtual world inundated with too many instantly disposable virtual words. Ah, but he has a solution.
AJ Sabatini

AJ Sabatini

Articles 5 minute read
Vermeer's 'Supper at Emmaus,' as faked by van Meegeren: One slight difference.

Art forgers: great artists?

The art of the steal

Do forgers qualify as “real” artists? Jonathan Keats thinks so. He makes his case by spinning intriguing tales of great skill and gullible art authorities, but he's a bit gullible himself.

Articles 3 minute read

Orchestra's "inter-war' concert (2nd review)

A tyranny Yannick never knew

Yannick Nézet-Séguin is only 37, with no conscious memory of Stalin or Hitler. Yet he instinctively grasped the emotions of composers who suffered under those tyrants.
Steve Cohen

Steve Cohen

Articles 3 minute read
De Guise-Langlois: A talented father, too.

Clarinet debut: Romie de Guise-Langlois

Memories, encounters and good news from Syria

In her Philadelphia recital debut, Romie de Guise-Langlois explored the development of the clarinet repertoire, including a premiere that may evoke her earliest memories.
Tom Purdom

Tom Purdom

Articles 3 minute read