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What do scientists do, and why, and how? Meet Jim Allison. (Photo by LeAnn Muelle.)

Bill Haney’s ‘Jim Allison: Breakthrough’

The science of courage

‘Breakthrough,’ a new documentary from Bill Haney, follows Nobel laureate Jim Allison’s long search for a cancer cure, and his struggle to bring his discovery to the people who need it. Gary L. Day reviews.
Gary L. Day

Gary L. Day

Articles 3 minute read
An intimate yet one-dimensional staging: the ensemble of ‘Ragtime’ at the Arden. (Photo by Wide Eyed Studios.)

The Arden Theatre Company presents ‘Ragtime’

How little the world has changed

Arden Theatre Company’s season-opening production of ‘Ragtime’ is the most intimate critic Cameron Kelsall has ever seen. It’s also the least successful.
Cameron Kelsall

Cameron Kelsall

Articles 4 minute read
Semele (Amanda Forsythe) is supposed to get married, but absconds to the realm of the gods. (Photo by Dominic M. Mercier.)

Festival O19: Opera Philadelphia presents Handel and Cosgrove's ‘Semele’

The opera that wasn’t meant to be

Handel never intended for his oratorio ‘Semele’ to be staged as an opera. Opera Philadelphia’s muddled, inert production suggests why. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 4 minute read
Brittney Morris’s debut novel ‘SLAY’ plays no games with identity. (Image courtesy of Simon & Schuster)

‘SLAY,’ by Brittney Morris

Slaying the book game

Brittney Morris's debut YA novel tackles identity, online and off, as a canny teenager takes the online gaming world by storm, with unexpected consequences. Kyle V. Hiller reviews.
Kyle V. Hiller

Kyle V. Hiller

Articles 3 minute read
A Perseid viewing party…if you can see it: Greg Wood and Jake Blouch in ‘Meteor Shower.’ (Photo by Mark Garvin.)

Walnut Street Theatre presents Steve Martin’s ‘Meteor Shower’

Is there a chiropractor in the house?

The Walnut’s production of Steve Martin’s darkly funny but too-neatly-resolved 'Meteor Shower' is good fun till the neck spasms kick in. Jill Ivey reviews.
Jillian Ashley Blair Ivey

Jillian Ashley Blair Ivey

Articles 4 minute read
Finding heart and humor in living with dementia: Natalie Carter and André Ward in ‘Dot.’ (Photo by Mark Garvin.)

People’s Light presents Colman Domingo’s ‘Dot’

Dementia and the family

A West Philly family comes home to learn that its matriarch is living with dementia, in the regional premiere of Colman Domingo's 'Dot' at People's Light. Frank Burd reviews.

Frank Burd

Articles 3 minute read

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A sturdy yet ethereal voice: Joseph Keckler sings in ‘Let Me Die.’ (Photo by Johanna Austin, austinart.org.)

Festival O19: Opera Philadelphia and FringeArts present ‘Let Me Die’

When I am laid in earth

Joseph Keckler’s ‘Let Me Die’ examines opera’s preoccupation with kicking the bucket. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read
Crisply individual: Theo Huffman and Siena Licht Miller in ‘Denis and Katya.’ (Photo courtesy of Opera Philadelphia.)

Festival 019: Opera Philadelphia presents ‘Denis and Katya’

Through a smartphone, darkly

The striking ‘Denis and Katya,’ part of Opera Philadelphia’s Festival O19, captures the existential dread of the social-media generation. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 4 minute read
A manuscript of George Crumb’s score for 130 percussion instruments. (Photo by Margaret Darby.)

Orchestra 2001 presents George Crumb’s ‘The River of Life’

‘The River of Life’ meets the Delaware

Orchestra 2001 salutes George Crumb on the Cherry Street Pier. Margaret Darby reviews.
Margaret Darby

Margaret Darby

Articles 2 minute read
A metric ton of whimsy: The Prince (Jonathan Johnson), Farfarello (Ben Wager), and Truffaldino (Barry Banks) in ‘Oranges.’ (Photo by Kelly & Massa for Opera Philadelphia.)

Festival O19: Opera Philadelphia presents Prokofiev’s ‘The Love for Three Oranges’

Fresh-squeezed fairy tale

Opera Philadelphia kicks off Festival O19 with a rare staging of Prokofiev’s ‘The Love for Three Oranges.’ Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 4 minute read