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Tempesta di Mare's "Messiah'

Messiah, without the Christmas haze

Tempesta di Mare presented a St. Patrick's Day reminder that there's more to Irish culture than green hats and beer-soaked rowdies.
Tom Purdom

Tom Purdom

Articles 4 minute read
Dichter: 'You can't make peace using military means.'

Dror Moreh's 'The Gatekeepers'

Can power speak truth?

The Gatekeepers. A film directed by Dror Moreh. For Philadelphia area show times, click here.
Robert Zaller

Robert Zaller

Articles 9 minute read
Belver (left), Zinkel: Communicating without words.

Foote's 'Trip to Bountiful' at People's Light

Homeward bound, as the past slips away

Horton Foote's plays may not soar to the literary heights of Tennessee Williams, but they do hold up a clear mirror to everyday Southern life. This charming production of The Trip to Bountiful captures Foote's larger theme: the need to embrace change.

Bill Murphy

Articles 3 minute read
Napoleon's bed was fit for an emperor, but not necessarily for sleeping.

"Narrative style' in interior design

It worked for Napoleon (but he lacked Internet access)

Napoleon defined his unique persona through his imperial furnishings. Nowadays, thanks to the Internet, "Empire Style" is out and “Narrative Style” is in when it comes to home décor. It's a good way to express yourself and maybe even save your marriage— but only if you know yourself.
Caroline Dunlop Millett

Caroline Dunlop Millett

Articles 7 minute read
Bonhoeffer: The liturgy he deserved.

Thomas Lloyd's "Bonhoeffer' (2nd review)

A martyr's gamble (and a composer's too)

Thomas Lloyd calls his Bonhoeffer a “choral theater piece,” which is exactly right. It's 70 minutes of choral singing, but this tribute to a World War II martyr doesn't present itself as a choir performance. Watching it is like watching an elaborate church service play out.
Kile Smith

Kile Smith

Articles 4 minute read
Hanafusa: Jazz-inflected snap.

Harumi Hanafusa with the Knickerbocker Chamber Orchestra

A shaman, a Frenchman, and a mythical city

The Japanese pianist Harumi Hanafusa, a welcome addition to the New York cultural scene, brought two very different concertos to her Pace University performance with the Knickerbocker Chamber Orchestra: Ravel's familiar Concerto in G and Akira Nichimura's A Shaman, in its debut.
Robert Zaller

Robert Zaller

Articles 3 minute read
While Buchbinder played, the real drama unfolded below him.

A moment of crisis at the Orchestra (3rd comment)

One night at the Orchestra: A community and a crisis

Something unusual occurred at Saturday night's Philadelphia Orchestra concert, apparently unnoticed by local music critics. On the surface it had nothing to do with the music. But maybe it did.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Lloyd: A weakness at the heart.

The Crossing's disappointing "Bonhoeffer' (1st review)

A heroic martyr who deserved better

The Crossing premiered a disappointing work on a promising subject: A theologian who sacrificed his life by opposing Hitler.
Tom Purdom

Tom Purdom

Articles 4 minute read
Giampetro as Ahab: More determined than Welles.

Orson Welles's "Moby Dick Rehearsed'

Herman Melville meets Orson Welles

Can a whale and an ocean be captured on stage? Iron Age Theatre made wondrously creative use of a small theater space and expanded its horizons to represent an endless sea. But this production cries out for filming or televising.
Steve Cohen

Steve Cohen

Articles 4 minute read
Dohnányi: Beethoven was once a young man, too.

Dohnányi conducts the Philadelphia Orchestra (2nd review)

The youth of an octogenarian

How do you save a modern orchestra? Restoring public education is the first step. Then, can the gimmicks and play great music as well as conductor Christoph von Dohnányi and soloist Rudolf Buchbinder did this past weekend.
Robert Zaller

Robert Zaller

Articles 6 minute read