Articles

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If I listen carefully to the robin's song— or to a foreign language— I get the gist of the conversation.

We speak in music

To peek inside the human soul, stop reading and listen

Our written language may be poetic, but a large part of our spoken communication is music. And often it's our music rather than our words that reveals our inner landscape to each other.
Pete M. Wyer

Pete M. Wyer

Articles 7 minute read
Dees (left), Fairbanks: Nothing (and everything)  in common.

"Everyone and I' at the Kimmel

Lady Day, and the poet who mourned her

Elizabeth Scanlon's Everyone and I is a moving, tender, brief performance piece about the unrequited relationship between the poet Frank O'Hare and his muse, the blues singer Billie Holiday.

Articles 3 minute read
Francis Picabia's 'Olga' (1930): Between conscious and unconscious.

"Drawing Surrealism' at the Morgan in New York

When dreamers confront reality

The Surrealists wanted to liberate the imagination in all its forms, using the dream as its prototype. Reality ultimately caught up with them, however, in the form of nightmare.
Robert Zaller

Robert Zaller

Articles 8 minute read
Sokol: As Ellis Island recedes.

"Old Jews Telling Jokes' in New York

Not your grandfather's Jewish humor

This revue tries to rekindle old memories for new generations of Jews and non-Jews alike. It's raunchier than anything I saw on "Ed Sullivan." But the passage of time imposes a kind of censorship all its own.
Steve Cohen

Steve Cohen

Articles 4 minute read
Kidwell: Exciting trills.

Bach's Passions, two ways (2nd review)

Back-to-back Bach, or: Sympathy for Pontius Pilate

The Philadelphia Orchestra's dramatic production of Bach's St. Matthew Passion won't soon be forgotten. But it benefitted from its juxtaposition with a traditional performance by Vox Amadeus.
Tom Purdom

Tom Purdom

Articles 5 minute read
He mocked intellectually lazy Philadelphians. (Photo: Kathye Petrie.)

A Dan Hoffman memory

To him, Whitman was more than a bridge

The late Dan Hoffman, my favorite Philadelphia poet, was the kind of poet that Walt Whitman asked Americans to cherish.
Patrick D. Hazard

Patrick D. Hazard

Articles 2 minute read
A lost chance to observe his phenomenal control up close.

Savion Glover's "Dance Space' at Academy of Music

Inside Savion Glover's brain (and other body parts I couldn't see)

Savion Glover is surely the best tapper dancing today. It would have helped if the folks in the pricey seats could have seen his feet.
Judy Weightman

Judy Weightman

Articles 4 minute read

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The Borodin: In place of ear candy, caviar.

Borodin Quartet plays Shostakovich and Beethoven

Shostakovich, by those who knew him well

The Borodin Quartet, in its first Philadelphia visit in 15 years, brought a more burnished Shostakovich than we're accustomed to hearing. That's because these Russian musicians are no longer “discovering” Shostakovich, as the West still is.
Robert Zaller

Robert Zaller

Articles 6 minute read
Cargill: Contemplative mastery.

Orchestra plays Bach's "St. Matthew Passion' (1st review)

The paradox of genius

In a magnificent performance of Bach's transcendent St. Matthew Passion, Yannick Nézet-Séguin made the most of the drama and emotion contained in the story of Christ's betrayal and crucifixion. That wasn't necessarily Bach's choice, but a work of genius lends itself to multiple interpretations.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
If only Emilia Clarke could act.

"Breakfast at Tiffany's' on Broadway

Holly, we hardly knew ye

The new stage adaptation of Breakfast at Tiffany's is blessed with an appealing story, an evocative setting and an exceptional narrator. Too bad its inimitable heroine is missing in action.
Steve Cohen

Steve Cohen

Articles 4 minute read