Articles

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Page 350
'Day Dream 2': Escape fom an insular world.

Serge Zhukov at F.A.N. Gallery

Beyond the artist's studio

Serge Zhukov may not be much of an innovator, but his facility with traditional themes is a delight.

Andrew Mangravite

Articles 1 minute read
Edna Phillips hung on Stokowski's every word and gesture.

Mary Sue Welsh's "One Woman in a Hundred'

She didn't sleep her way to the top

Edna Phillips was the first female principal player in any major symphony orchestra. She worshipped Stokowski (who hired her) and despised Ormandy (who made passes at her).
Steve Cohen

Steve Cohen

Articles 3 minute read
Patina Miller in 'Pippin': Fosse? How could you tell?

'Pippin,' 'Kinky Boots' and 'Matilda' on Broadway

Cross-dressers of the world, unite! (and other Broadway musical fantasies)

When it comes to musicals, Broadway is a three-ring circus this season. Pippin, Kinky Boots and Matilda are all high-flying spectacle and daredevil entertainment, offering instant gratification and plenty of cotton candy.

Carol Rocamora

Articles 5 minute read
'A Great Piece of Turf': Nurtured in his studio.

Albrecht Dürer at National Gallery in D.C. (1st review)

In weeds we trust, or: What made Albrecht Dürer happy?

Albrecht Dürer prodigiously produced religious images. Yet the National Gallery's current exhibit shows clearly that he took his greatest delight in his renderings of the natural world.
Victoria Skelly

Victoria Skelly

Articles 4 minute read

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Nelson (left), Costa-Jackson and skulls in the gallows scene: Impelled toward a climax.

Verdi's "Masked Ball,' by AVA

Romance, fate, murder and a fresh crop of singers

A Masked Ball often gets lost in the crowd from Verdi's prolific middle period. The Academy of Vocal Arts production turned it into one of my most exciting evenings of music drama in recent years.
Steve Cohen

Steve Cohen

Articles 4 minute read
Christie (left), Redford: On the lam from the feds, and the past.

Robert Redford's "The Company You Keep'

Where have all the radicals gone?

Robert Redford's political thriller, The Company You Keep, tracks a former radical on the run from a long-ago crime. It's a liberal's cautionary tale about the dangers of assumed virtue, but not without a sneaking admiration for those who see issues in black and white rather than a mass of gray.
Robert Zaller

Robert Zaller

Articles 6 minute read
Wainwight: Style over clarity.

Rufus Wainwright at Verizon Hall

He did it his (relatively safe) way

Like many gay men, Rufus Wainwright relates to the struggles of Judy Garland and Maria Callas, but conveying angst isn't his strong suit.
Steve Cohen

Steve Cohen

Articles 3 minute read

Dolce Suono's "Debussy and The Baroque'

Time-tripping with Debussy

Leave it to Dolce Suono to find a connection between Claude Debussy (1862-1918) and Baroque composers: The man incorporated early music movements into his work, just as he absorbed the influence of jazz and Asian art forms.
Tom Purdom

Tom Purdom

Articles 4 minute read
David had the 'right' voice for his psalms, and the right instrument, too.

The great debate: Sackbut or trombone?

Were the Dark Ages really dark? Or: Do musical instruments improve?

Is the modern trombone a better instrument than its Renaissance ancestor, the sackbut? That's like asking, "is Mahler better than Monteverdi?"
Kile Smith

Kile Smith

Articles 4 minute read
Shaw as Mary: I didn't raise my boy to be a troublemaker.

Virgin Mary, Sue Mengers and Ann Richards in NY

Three tough women

With whom would you rather spend an evening alone? A Hollywood super-agent, the mother of Jesus, or the former governor of Texas? These are your choices among one-woman shows on Broadway.

Carol Rocamora

Articles 6 minute read