Articles

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Guare (right) with Omar Sangare in 'Exile': Compassion for his subject.

When the playwright gets into the act

In search of reality: When playwrights become actors

Every so often in the theater, playwrights wants to get into the act, too— that is, perform in their own plays. A playwright's presence can't help but change your perception of his work in intriguing ways. Sometimes it changes the playwright's perceptions, too.

Carol Rocamora

Articles 6 minute read
Alhadeff (left), Putney: 12 seductions, and counting.

Is explicit sex a theatrical disease?

Sex without fear (and right in the middle of Broad Street, too)

You can barely set foot in a theater these days without observing a simulated sex act. Is this phenomenon a bold reflection on an age in which virtual relationships trump real ones? Or is theater itself losing its grasp on reality?
Naomi Orwin

Naomi Orwin

Articles 5 minute read
Are these hippies the good guys or the villains?

Zal Batmanglij's "The East'

Those evil corporations again

Evil corporations get their comeuppance in The East, but Zal Batmanglij's mess of a film is almost a primer in how not to do political paranoia. Next reel, please.
Robert Zaller

Robert Zaller

Articles 4 minute read
Giles: American dreams, in black and white. (Photo: Step Doyle.)

Terrence McNally's "Ragtime' in Norristown

Revolution from below

You might assume that a panoramic historical-sociological musical like Ragtime is beyond the competence of a small company in Norristown. In fact, the Centre Theatre assembled a huge cast that created several touching moments.
Steve Cohen

Steve Cohen

Articles 3 minute read
Halili (left) and Holbrook: Skewering the ruling class. (Photo: Donato Valentino)

Concert Operetta's "Gypsy Princess' (2nd review)

A worldly Hungarian

Johann Strauss may be the father of operetta, but Emmerich Kálmán's music is more varied and exciting, just like his life.
Steve Cohen

Steve Cohen

Articles 4 minute read
Weber’s ‘Tavern at Olneyville’: More aggressive than Hopper.

Kathleen Weber and Leigh Gustafson

Landscapes, urban and rural

Leigh Gustafson and Kathleen Weber offer an interesting contrast of style and perhaps intent. One tries to gently lure you in, the other pushes you off.

Andrew Mangravite

Articles 2 minute read
Brandon, what are you doing in bed with Anne Bancroft?

My son as "The Graduate'

Where have you gone, Dustin Hoffman? Or: In my house, it's 1967 all over again

If you think life doesn't imitate art, visit my home, where things have taken a strange turn now that my son Brandon has graduated from high school.
Perry Block

Perry Block

Articles 3 minute read
The crowd gasped: Vidich and Hoffman slice into the water.

Alie Vidich's "Invisible River'

Just when you thought you'd seen everything

Alie Vidich is a 28-year-old movement artist who dreams impossible dreams. In her latest open-air spectacle, she and a fellow dancer pay homage to the Schuylkill River and Mother Nature by performing an aerial dance off the Strawberry Mansion Bridge in Fairmount Park.
Jonathan M. Stein

Jonathan M. Stein

Articles 3 minute read
Holbrook:  Almost upstaged, but not quite.

Concert Operetta's "Gypsy Princess' (1st review)

Why princes marry showgirls

Concert Operetta Theater proved once again that there's life in the Viennese operetta tradition.
Tom Purdom

Tom Purdom

Articles 4 minute read
Gerwig (right), Mickey Sumner: An invisible world of love, freedom and creativity.

Noah Baumbach's "Frances Ha'

To be young, rootless and struggling— but oh, the possibilities!

In Noah Baumbach's latest film, 27-year-old Frances is caught somewhere between who she is and whom she wants to be— a world not yet defined and unexpectedly magical.

Maxine Krenzel

Articles 3 minute read