Articles

6207 results
Page 341
The real ticking time bomb is in Kenya's prisons.

"Black Star Nairobi': Kenyan fiction and fact

Truth is stranger (and more inspiring, too)

Black Star Nairobi contrives a fictitious globetrotting adventure among three Kenyan pals fighting international terrorism. Meanwhile, in real-life Kenya, a much more astonishing and uplifting story is unfolding.
Patrick D. Hazard

Patrick D. Hazard

Articles 3 minute read
Filios, Walton, Haas, Saunders, Bedford: Riding roughshod over imperfections.

"Noises Off' at People's Light (1st review)

What Michael Frayn could learn from the Marx Brothers

Michael Frayn's farce about the production of a farce succeeds even while violating a time-honored vaudeville maxim.

Bill Murphy

Articles 2 minute read
Kuramata's 'Miss Blanche' armchair: A seat for illusions.

Art Museum's "Collecting for Philadelphia' (1st review)

The Art Museum's tasting menu

The Art Museum's new works added over the past five years alone could stock a major museum. Some of the best are on display now. They have little to do with each other, but their diversity itself is appealing.
Steve Cohen

Steve Cohen

Articles 3 minute read
Philip Johnson's glass house: Great views, but no storage space.

Change your house to change yourself

People who live in glass houses….

Why was Bob obsessed with finding exactly the kind of house that wouldn't accommodate his need to acquire and hold on to material objects? Maybe because, deep down, he wanted to change.
Susan E. Washburn

Susan E. Washburn

Articles 3 minute read

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Sukowa as Arendt: Suppose she'd been a man?

A feminist "Hannah Arendt' (3rd review)

A thinking woman in an old boys' club

Hannah Arendt may have been wrong about Adolf Eichmann, but she was right about the banality of evil. And much of the verbal abuse she suffered came not from Holocaust survivors but from male academics who resented her intrusion into their domain. Hannah Arendt. A film directed by Margarethe Von Trotta. At the Ritz at the Bourse, 400 Ranstead St., (215) 440-1181 or www.landmarktheatres.com.
Victor L. Schermer

Victor L. Schermer

Articles 7 minute read
Martenson's 'Tent Evening': Is darkness cozy, or terrifying?

"Night Vision' at Gross McCleaf Gallery

Fourteen shades of night

Night, as a theme, can conjure up feelings of loneliness and dread, or it can impel us to seek out warmth and light. Some of the 14 artists at Gross McCleaf interpret the subject more literally than others.

Andrew Mangravite

Articles 2 minute read
Set for 'Owen Wingrave': My date dozed off. (Photo: David Swanson.)

Music marketing: missed opportunities

Classical promoter, cure thyself: A cautionary tale

How would you feel if you spent $25 to see an English-language opera about a major social issue and discovered you couldn't understand a word? Would that make you feel like you'd sampled a vital, exciting art form?
Tom Purdom

Tom Purdom

Articles 4 minute read
The real Hannah Arendt eludes an Israeli-German-French film project.

"Hannah Arendt,' ill-served again (2nd review)

When bad movies happen to profound philosophers

Attempting more than a courtroom drama of the Eichmann trial but less than a full biography of Hannah Arendt, the filmmakers pack too many complex relationships and big ideas into 113 minutes with far too little intellectual substance for support.
Gresham Riley

Gresham Riley

Articles 5 minute read
'Amagansett Diptych #1': Keep your mind open.

Jennifer Bartlett at Pennsylvania Academy

After 40 years, still searching for the meaning of life

Jennifer Bartlett began her professional life by pondering the kind of art she could create that wouldn't look like everyone else's work. If only more artists would think and act along these lines, we could have another Renaissance.

Anne R. Fabbri

Articles 4 minute read
Chase's 'Prospect Park, Brooklyn': Does it draw you in or push you off?

Landscapes vs. cityscapes

When landscape artists explore the city

Landscapes allow the artist to become a little god, creating a world from scratch. But in the city, the subject— whether it's people or buildings— determines the creation.

Andrew Mangravite

Articles 3 minute read