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Honor and courage, yes; physical prowess, no.

Attis Theater's 'Ajax, the madness' at the Wilma (1st review)

The frenzy of war, then and now

In Ajax, the madness, Theodoros Terzopoulos strips down the Ajax legend from Homer's Iliad and the Sophocles tragedy to its barest essentials, probing the roots of violence that underlie war. For Philadelphia, it was a rare opportunity to experience first-rate experimental theater.
Robert Zaller

Robert Zaller

Articles 8 minute read
Goosebumps: Is truth scarier than fantasy?

'Paperback Dreadful' at FringeArts Festival

Beyond Goosebumps: R.L. Stine gets his just desserts

What American kid of the ‘90s wasn't captivated by R.L. Stine's spine-tingling Goosebumps books, with their monstrous apparitions and sinister wishes granted? This send-up of Stine ventures a step further to focus on the real traumas of childhood.
Alaina Johns

Alaina Johns

Articles 3 minute read
Zhu: A piano that sings.

A selective guide to the 2013-14 season

I'm marking these on my calendar

Here's my idiosyncratic rundown on the coming year's musical events that arouse extra anticipation in this particular reviewer. But remember: My taste may not be yours.
Tom Purdom

Tom Purdom

Articles 5 minute read
Conte's Rising Tide': Visual vocabulary.

"Tonalism' at Gross McCleaf

It's all about mood

Gross McCleaf has mounted an engaging teaching exhibition about “Tonalism”— a type of landscape painting that uses atmospheric effects to achieve a mood.

Andrew Mangravite

Articles 2 minute read
Cutting edge, or same old same old?

Pig Iron's "Pay Up' at the FringeArts Festival (2nd review)

Pay Up again (for a show you've seen before)

Pig Iron's hilarious/heartbreaking exploration of how money affects us hasn't changed much since 2005. That's because, director Dan Rothenberg insists, things haven't changed much since then. I beg to disagree.
Alaina Johns

Alaina Johns

Articles 4 minute read
Much ado about coffee.

Jo StrÓ¸mgren Kompani's "The Society' at FringeArts

Beyond Monty Python

In barely an hour, director/choreographer Jo StrÓ¸mgren and his three gifted dancer/actors provide the most lucid, insightful— and funniest— overview of isolationism and global conflict that you're likely to find today.

Carol Rocamora

Articles 3 minute read
Now I understand why Beethoven looked so stressed.

Composer's challenge: From quartet to piano

The glory and the drudgery: A composer confronts a ‘piano reduction'

How dreary it seems to rewrite for piano what I've just written for a string quartet. But it must be done. If my song cycle is ever to have a chance for more performances, it's easier to tempt one pianist than four string players.
Kile Smith

Kile Smith

Articles 4 minute read

Saki's "Unrest-Cure': Lampooning Britain's upper class

The defeat of the smug and the boring

Every fan of satire knows Wilde and Wodehouse. But don't forget Saki, who introduced talking cats and child-hungry werewolves into upper-class British drawing rooms, on the theory that nothing invigorates a tea party like a ravening hyena.
Jake Blumgart

Jake Blumgart

Articles 6 minute read
Plummer (left), Dourif: Exhausted and deluded, too. (Photo: Carol Rosegg.)

Tennessee Williams's "Two Character Play'

A great playwright's dismaying final chapter

The Two Character Play is an agonizing glimpse into the darkness of Tennessee Williams's soul in decline. And yet I can't get the image of the playwright's smiling face out of my mind.

Carol Rocamora

Articles 4 minute read
Diverse ethnicities, identical body types.

Our debt to "So You Think You Can Dance'

Where popularity trumps talent (which isn't necessarily bad)

Dance purists find “So You Think You Can Dance” superficial, commercial and degrading. Not me. In an age when dance desperately needs to expand its audience, this popular reality show shows us how to succeed— assuming we can stand success.

Roger Lee

Articles 2 minute read