Articles

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Barone: A problem with musical Utah.

Orchestra 2001’s opening weekend (1st review)

Confronting death (and Utah, too)

Orchestra 2001 opened its season with two moving glimpses at family life and a less rewarding visit to Utah’s national parks.
Tom Purdom

Tom Purdom

Articles 5 minute read
Jane Austen's name is money in the bank.

The coming season: Awards or rewards?

Hooked on awards, or: What ever happened to word of mouth?

In today’s risk-averse theater climate, every new play or musical in the coming Philadelphia season boasts some sort of pedigree or award. Which raises an interesting question: Is there any play, playwright, actor or director on the planet who hasn’t won an award?
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Pryor (left), McNulty: Must a plain girl settle?

‘The Rainmaker’ at People’s Light

Between pessimism and delusion in the Great American heartland

The Rainmaker, a compelling character study set on an Iowa farm during the Great Depression, lacks the psychological depth of Cather’s work, but it’s undeniably charming.

Bill Murphy

Articles 2 minute read
Grimm's 'Old Woman Telling the Fortune a Young Noblewoman' (c. 1825): God, family, friends and pets.

German Romantic prints at the Art Museum

What Germans loved, before they loved Germany

This extraordinarily rich collection of German prints is an exhibit of popular art that was widely distributed via prints and books. Thus it truly represents the voice of the people, as opposed to the (possibly eccentric) vision of a single artist.

Andrew Mangravite

Articles 7 minute read
Maula: Ken and Barbie worked, at first.

‘A Doll’s House’: the Geffers adaptation (2nd review)

A modern Nora, or just a confused one?

EgoPo’s adaptation of A Doll’s House casts a 14-year-old girl as Nora yet upgrades the subject matter to adult issues like money, sex, and physical abuse. What statement was Brenna Geffers trying to make?
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Gable, Leigh: Where are their aging parents?

Why ‘Gone With the Wind’ still works for me

My soul sister, Scarlett O'Hara

What I crave, and still get, from Gone With the Wind, is escape— the sort that often seems to elude me at age 58, when my critical facilities often trump my pleasure centers.
Ilene Raymond Rush

Ilene Raymond Rush

Articles 3 minute read
Morris, Mastro: How to respond to a cheating wife?

Bruce Graham’s ‘Any Given Monday’ in Wilmington

The urge to kill

Bruce Graham has cut about 12 minutes from his original 2010 production of Any Given Monday, his take on suburban infidelity and macho revenge. The tightened monologues and a new cast provide a warmer, less boorish, more reasoned glow.
Steve Cohen

Steve Cohen

Articles 2 minute read
His own severest critic.

In defense of Woody Allen (a response)

Our modern Chekhov: In defense of Woody Allen

Contrary to what BSR’s editor thinks, Woody Allen is a consistent filmmaker. His writing distinguishes itself with clearly defined, recurring themes that run throughout his work, that he keeps on investigating, developing, rearticulating, refining.

Carol Rocamora

Articles 6 minute read
'All That Rises Must Converge' (2008): Definitive milestones for fallen heroes.

Barbara Chase-Riboud’s ‘Malcolm X Steles’ at the Art Museum

The presence of a mighty force

“The Malcolm X Steles” is a fitting tribute to the African American civil rights leader, sculpted by a Renaissance woman who deserves a higher profile in her native city.

Anne R. Fabbri

Articles 2 minute read
Naive young men, protective older women.

Stephen King’s ‘Joyland’

How Stephen King pushes my buttons

By creating true-to-life characters and nostalgic narratives, Stephen King makes it easy for us to suspend our disbelief about the macabre events in his novels.
Terri Kirby Erickson

Terri Kirby Erickson

Articles 4 minute read