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Can I put my music into words in 30 seconds?

A composer’s secrets

Secrets of a great composer (who hasn't yet mastered the elevator speech)

When I recently dug out an anthem I’d written 32 years ago, I was struck by how good it was— and how bad it was, too. How could I salvage it? Just another day in the life of a composer.
Kile Smith

Kile Smith

Articles 6 minute read
Pfeiffer, Walton: Shyness as a virtue. (Photo: John Flak.)

‘Bunny Bunny’: The real Gilda Radner (1st review)

The Gilda we didn’t know, until now

This "sort-of romantic comedy" about the relationship between two pillars of “Saturday Night Live” is lately revived mostly for cancer awareness events. The current version dispenses with cheap laughs and gives us a deeply insecure— and consequently very human— Gilda Radner.
Steve Cohen

Steve Cohen

Articles 2 minute read
Childs: She did it her way.

Lucinda Childs: Origins of post-modern dance

Lucinda Childs, body and soul

Some of the best of Philadelphia’s modern dancers recreated the challenging work of Lucinda Childs, a pioneer of post-modern dance in America.
Jonathan M. Stein

Jonathan M. Stein

Articles 5 minute read
Netrebko as Tatiana: Homespun teenager?

Met’s misguided new ‘Eugene Onegin’

If it ain't broke....

The Metropolitan Opera’s new production of Eugene Onegin is full of innovations, almost all of them detrimental.
Steve Cohen

Steve Cohen

Articles 4 minute read

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Woodhams: Playing for the eye as well as the ear.

Orchestra plays Britten, Strauss and Mahler

Clothes make the music man

Oboist Richard Woodhams took the stage in a tailored blue shirt, worn outside his pants— It symbolizes a change in attitude— a signal that the Philadelphia Orchestra understands its need to experiment and adapt.
Tom Purdom

Tom Purdom

Articles 4 minute read
Ben Williams, Suzie Sokol: Justices on wheels.

Nudity as speech: ‘Arguendo’ in New York

Who says lawyers are dull?

Can Supreme Court transcripts and legal briefs— even about nude dancing— make exciting theater? Ask the cutting-edge Elevator Repair Service troupe, which thrives on bringing text on stage in uniquely improbable ways. In Arguendo, the result is a zany satire that’s simultaneously entertaining and intellectually stimulating.

Carol Rocamora

Articles 5 minute read
A concern with the nature of identity and the process of memory.

Richard Burgin’s ‘Hide Island’

A vision of civilized savagery

In Richard Burgin's dark, dystopic vision, human society is mostly an arrangement for predators to seek their prey, and vice versa.
Robert Zaller

Robert Zaller

Articles 6 minute read
De Cari: Hot personality in a cool environment.

Gioia de Cari’s ‘Truth Values’ at Annenberg

Pity the woman with brains

Women continue to battle stereotypes to break into science and math. Gioia de Cari claims male chauvinism drove her out of MIT. But her one-woman show suggests that perhaps she really preferred a career on the stage.
Ilene Raymond Rush

Ilene Raymond Rush

Articles 2 minute read
Dibble, Eisenhower: A fish out of water.

‘Parade’ at the Arden

Leo Frank lives! (With a little help from Terrence Nolen)

Parade, the musical about the 1913 Leo Frank lynching was rightly considered a flawed work when it opened at Lincoln Center in 1998. Now Terrence Nolen and Jorge Cousineau have re-imagined it and added a radically new dimension that brings Frank’s tragic story to life as never before.
Steve Cohen

Steve Cohen

Articles 4 minute read
'Feathered Flowers': Look very, very closely.

Peter Paone’s ‘Wild Flowers’ at Woodmere

Last of the Surrealists

Peter Paone does not paint pretty pictures. His flowers are never what they might seem. Look closely and you’ll find the killer bee and the potential rapist.

Anne R. Fabbri

Articles 2 minute read