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Moricette (center) with Benford (left) and Mutu: Latter-day Eliza Doolittle. (Photo: Stan Barouh.)

Danai Gurira’s ‘The Convert’ at the Wilma

Who’s the savage?

Danai Gurira’s The Convert uses the classic story of Pygmalion to explore the clash of religion and culture in colonial Africa. The key players, Gurira makes clear, are not the male warriors but the deceptively strong women who linger on the fringes of the struggle.
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Levinthal’s ‘Rain Curtain’: The joy of pigments.

Levinthal & Garvey vs. Goodman at Gross McCleaf

Emotion vs. control

Gross McCleaf’s current show offers an interesting and rewarding confrontation of styles, and also of outlooks concerning how art is created and what it’s meant to be.

Andrew Mangravite

Articles 2 minute read
Braden: One singer’s pain.

‘The Devil’s Music’ at People’s Light

The night before Bessie Smith died

Miche Braden offers a dazzling performance as Bessie Smith, the singer known as “the Empress of the Blues.”

Bill Murphy

Articles 2 minute read
Bullock: Trauma? What trauma?

Alfonso Cuarón’s 'Gravity' (1st review)

Exploring outer space?
First, check your brains at the door

Like most Hollywood films about outer space, Alfonso Cuarón’s Gravity gives the universe its due as a boundless, forbidding zone of inhospitable horror. But it fails to suggest anything thoughtful about the raison d’être for exploring space.
AJ Sabatini

AJ Sabatini

Articles 5 minute read
Watkins: A warmer, more introspective sound.

Emerson Quartet at the Perelman

Ambitious and uncompromising

The Emerson Quartet, with its fine new cellist, Paul Watkins, opened the Philadelphia Chamber Music Society’s season with an ambitious program, excellently performed.
Robert Zaller

Robert Zaller

Articles 7 minute read
Dixon (left), Raphaely: Things that don’t change.

Life lessons from ‘4,000 Miles’ (2nd review)

Grandparents, grandchildren
and nine life lessons from 4,000 Miles

Vera and her grandson Leo are each lost in a journey of aloneness but determined to somehow survive without complaint. In less than two hours 4,000 Miles brings us nine truths too rarely found in theatrical experiences.
SaraKay Smullens

SaraKay Smullens

Articles 3 minute read
Raphaely (left) Leigha Kato: Strange choices in women.

Amy Herzog’s ‘4,000 Miles’ (1st review)

Grandmother and grandson:
An unequal matchup

As superbly portrayed by Beth Dixon, Vera is the sort of sharp and witty old lady we’d all love to have in our family. Her foul-mouthed, immature grandson is another story.
Steve Cohen

Steve Cohen

Articles 2 minute read
Chimo (left), Zegen: The product, or the process? (Photo: Joan Marcus.)

Joshua Harmon’s ‘Bad Jews’ in New York

What’s a modern Jew to do?

Joshua Harmon’s Bad Jews is a hilarious comedy turned dead serious about the Jewish identity crisis in today’s younger generation. If you’re secure in your own religious identity, then beware: Bad Jews will unsettle your certainties.

Carol Rocamora

Articles 5 minute read
'The City' (1919): A mere mechanic, or a cockeyed optimist?

‘Léger and the Metropolis’ at the Art Museum (1st review)

Greater than the sum of his parts:
How I learned to love Fernand Léger

Viewed individually, Léger’s colorful work is easy to like and hard to love. Only when I stepped back and took in the exhibit on a grand scale did I finally begin to feel the rhythm of Léger’s lines and the vibrancy of his awesome colors.

Jerome Przybylski

Articles 4 minute read
Schmitt-Hall (left) and Bonito: Love is like a leaky boat. (photo by Kimberly Reilly)

Michael Hollinger’s ‘Red Herring’ at Villanova

In case you missed the ’50s

Michael Hollinger’s Red Herring cleverly juggles a spy drama, romance, a spoof of film noir and a critique of American politics in the ’50s.
Steve Cohen

Steve Cohen

Articles 2 minute read