Articles

6207 results
Page 304

The future of professional theater criticism: An international view

Journalist critics grab their bullhorns and take theater to the streets. What will be the effect on theater when all that shouting dwindles to a whisper?
Wendy Rosenfield

Wendy Rosenfield

Articles 5 minute read
(Moore, Frank, ed. "Portrait Gallery of the War." New York: D. Van Nostrand, 1865. Courtesy of the General Libraries, the University of Texas at Austin. )

Listening to Lincoln: Dave Burrell's Civil War Concerts

An ear-opening musical evocation of a Civil War massacre

The feeling at this world premiere was akin to attending a musical salon in Paris and hearing a breakthrough work performed for a small elite audience: The room was small but filled with eager listeners. That is how great work often begins in the arts and sciences.
Victor L. Schermer

Victor L. Schermer

Articles 6 minute read
Adrian Lester in 'Red Velvet': little-known theatrical history. (Photo by Tristram Kenton)

'Red Velvet' and 'Raisin in the Sun'

Black in a white world

From a London theater in the 1830s to a Chicago tenement in the 1950s, a black man’s struggle in a white man’s world is being eloquently portrayed on the New York stages this season.

Carol Rocamora

Articles 6 minute read
Visiting fairyland. ("Study for 'The Quarrel of Oberon and Titania,'" c. 1849, Joseph Noel Paton.)

The Chamber Orchestra of Philadelphia plays Schumann, Britten, and Haydn

The glories of the useless

Ignat Solzhenitsyn leads the Chamber Orchestra of Philadelphia through three examples of the useless, irrelevant, and un-metaphorical art extolled in two recent BSR essays.
Tom Purdom

Tom Purdom

Articles 3 minute read
"Romeo and Juliet" with a happy ending.

'The Light in the Piazza' at Villanova Theatre

The return of the musical?

The American musical has become a revival show, but the Villanova Theatre’s production of the 2005 Broadway succès d’estime, The Light in the Piazza, tries valiantly to make a case for it as forging a new direction. I’ll still take "Mack the Knife."
Robert Zaller

Robert Zaller

Articles 3 minute read
This picture is the work of 90 amateur artists, each of whom was given a section of the original to copy. (photo © Deirdre O'Neill; Creative Commons)

Why Shakespeare? Why now?

Shakespeare-lovers are enjoying a plethora of productions in honor of the Bard's 450th birthday.

Carol Rocamora

Articles 5 minute read
Neysa Grassi, "Endless Source I," 2014, oil on wood panel, 11 x 11 inches

Neysa Grassi and Warren Rohrer at Locks Gallery

Metaphorical movement

Neysa Grassi and Warren Rohrer represent over 40 years of abstract painting in Philadelphia, a historically rich conversation that is too good to miss.

Christa DiMarco

Articles 3 minute read
"Three Sisters": Olga (Sarah Sanford), Irina (Mary Tuomanen), and Masha (Katharine Powell) long for better lives. (Photo by Mark Garvin)

'Three Sisters' at the Arden (2nd review)

A leisurely entry into a leisurely world

This is the real thing, as opposed to the Durang comedy that trades on Chekovian names. It’s a realistic and compelling look at the Russia of 1900, despite — or because of? — some changes in staging and text.
Steve Cohen

Steve Cohen

Articles 3 minute read

Durang's 'Vanya and Sonia' by PTC (2nd review)

Relying on outsiders

An homage of sorts to Chekhov is on stage at the Suzanne Roberts Theatre while the real Chekhov is across town at the Arden. The resemblances are slight.
Steve Cohen

Steve Cohen

Articles 3 minute read
Quita Brodhead, "Vase with Tulips"

Quita Brodhead: Bold Strokes at the Woodmere Art Museum

These 56 paintings illustrate Quita Brodhead's life journey through the 20th century: her visual reactions to traditional subject matter and her embrace of the new, especially the visual arts that originated in Europe.

Anne R. Fabbri

Articles 2 minute read