Articles
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Levine conducts ‘Così fan tutte’ at the Met
Welcome back, James
James Levine, returning to the Met after a two-year absence, led a performance of Così fan tutte that made us forget the plot’s silliness as we reveled in the music’s subtleties.

Articles
3 minute read

The Mendelssohn Club premieres Julia Wolfe's 'Anthracite Fields'
A Battle Hymn for the Industrial Revolution
The Mendelssohn Club premieres Julia Wolfe's Anthracite Fields, a hardheaded look at the relationship between the economic progress of the last two centuries and the sacrifices of the economic foot soldiers who made it possible.

Articles
4 minute read

Peter Brook's 'Suit' and Athold Fugard's 'Train Driver'
Apartheid's end
Two different productions look at the effect of apartheid on South Africans, black and white.

Articles
5 minute read

This is my design: The horror of 'Hannibal'
The viewer of Hannibal enters a world where the most horrifying aspects of being a human being are explored. Our bodies are fragile, our minds vulnerable. We are easy prey for a nearly omnipotent devil such as Hannibal Lecter.
Articles
5 minute read

The making of artists
In the making of me as an artist, I am asked to become a kind of chimera — a strange fragile creature with shoulders too broad existing in a place that offers no reassurances to soften the disconnect.

Articles
5 minute read

Orchestra’s Mozart celebration
Mozart’s odd couple
Two Canadians made an odd (albeit complementary) couple at the Philadelphia Orchestra’s Mozart celebration this weekend.

Articles
2 minute read

Michael Pennington's Lear in Brooklyn
An unforgettable Lear and an exemplary life in the theater
Michael Pennington’s elegant, deeply felt Lear — Shakespeare’s most challenging tragic role — is a study in fallibility, vulnerability, and the dignity of a man in defeat.
Articles
4 minute read
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Dwaine Tinsley and the vagaries of history
The archduke and the pervert
Finding justice for Dwaine Tinsley: If I was not a writer with my peculiar interests; if I had not practiced workers’ compensation law; if that client had not become disgruntled. . . .

Jean Langlais: An appreciation
The gems this composer and organist left behind, imbued with a distinctive harmonic language, should not be forgotten.
Articles
2 minute read
![Here comes da flood. (Photo credit: ILM - © MMXIV Paramount Pictures Corporation and Regency Engtertainment [USA], Inc. All Rights Reserved.)](https://img.broadstreetreview.com/content/uploads/noah_flood1.jpg?auto=compress%2Cformat&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=169&q=80&w=300&s=6561df21e9f0c9f07fe4f6c1ebaef1ba)
Darren Aronofsky’s ‘Noah’
How did ‘Noah’ offend you? Here are a few suggestions
Darren Aronofsky's Noah has something to offend — or at least disappoint — just about everyone. Why no animals enjoying a turn around the deck, Darren?

Articles
5 minute read