Articles

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Page 284
Franklin, Eleanor and Teddy: But what about their relatives?

‘The Roosevelts’ by Ken Burns

Old wine in a new bottle

A Ken Burns documentary constitutes such an extraordinary combination of historical research and dazzling showmanship that it seems downright churlish of me to suggest that his latest historical extravaganza was basically misconceived.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Brian Anthony Wilson, Melanye Finister, and Michael Genet in "Fences." (Photo: Mark Garvin)

August Wilson's 'Fences' at People's Light

Reviving a modern American classic

People's Light & Theatre Company opens its season with a superb revival of August Wilson's Fences, which explores African-American life in the 1950s.

Bill Murphy

Articles 2 minute read
Does this speaker have one horn or two?

Fringe Festival: Idiopathic Ridiculopathy's ‘Rhinoceros’ (3rd review)

When language goes....

Absurd theater, born in postwar France, remains relevant to our contemporary world — perhaps more so than ever, as the revival of Eugène Ionesco’s Rhinoceros by the Idiopathic Ridiculopathy Consortium suggests.
Robert Zaller

Robert Zaller

Articles 5 minute read
The fantastically loathsome mother and her monstrous son: Charlie Hunnam and Katey Sagal in “Sons of Anarchy.” (Photo by PRASHANT GUPTA - © FX)

'Sons of Anarchy' and 'Project Runway'

Hate-watching TV

How do I rationalize hate-watching not one but two shows, Sons of Anarchy and Project Runway?

Paula Berman

Articles 5 minute read
Scrambling to escape

'Last Days in Vietnam'

The final scene of an American tragedy

“Who goes, and who gets left behind”? Rory Kennedy, JFK’s niece, documents the final moments of America’s tragic involvement in Vietnam.

Carol Rocamora

Articles 5 minute read
Di Wu: simultaneously ringing and reflective. (Photo © Sengzong Gan, via www.DiWuPiano.com)

The Chamber Orchestra of Philadelphia with pianist Di Wu

Youthful stars and might-have-beens

The Chamber Orchestra of Philadelphia opens its season with a program that sticks to a conventional format but varies it with two novelties.
Tom Purdom

Tom Purdom

Articles 3 minute read
Gina Hoch-Stall and Adrian Plascencia of RealLivePeople. (photo credit: Lindsay Browning)

Fringe Festival: RealLivePeople's 'Would I Lie to You?'

The lies we tell

Combining choreographed and improvised dance, movements, and spoken words, RealLivePeople present us with the lies we tell ourselves and others in Would I Lie to You?

Samantha Maldonado

Articles 3 minute read

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Fringe Festival: New Paradise Laboratories’ ‘The Adults’ (third review)

Tampering with Chekhov

It was with a bit of trepidation — as well as determination — that I ventured down to the Painted Bride to see New Paradise Laboratories’ production of The Adults.

Carol Rocamora

Articles 5 minute read
Rose, Bodnar, Hoty: Shattering (and reinforcing) stereotypes.

Dolly Parton’s ‘9 to 5’ at the Walnut

I am woman, hear me roar

Dolly Parton’s feminist musical fantasy was judged too shallow and gaudy for Broadway. But the Walnut Street Theatre’s current production is surprisingly likable.
Steve Cohen

Steve Cohen

Articles 3 minute read
Dan Higbee in Renegade’s “Hunchback.” (photo by Meghann Hicksonn)

Fringe Festival: ‘The Hunchback of Notre Dame’

An interview with the director of the Renegade 'Hunchback'

An interview with director Michael Durkin on the Renegade Company's mute version of the classic Victor Hugo novel, The Hunchback of Notre Dame.
Henrik Eger

Henrik Eger

Articles 5 minute read