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Check the attic! (“The Conjuring,” 2013: Photo by Michael Tackett - © 2012 Warner Bros. Entertainment Inc. All rights reserved)

Haunted house movies

Haunted house, haunted family

Haunted house movies rely on tired old tropes because all the movies explore the same theme: a dysfunctional family and how its secrets tear it apart.

Paula Berman

Articles 6 minute read
Bach: The hardest working man in Baroque.

Tempesta di Mare plays Praetorious and Bach

The songs of the cosmic bourgeois

Tempesta di Mare presents a Baroque concert that makes a good companion to the Charles Ives concert the Philadelphia Chamber Music Society presented earlier in the same week.
Tom Purdom

Tom Purdom

Articles 4 minute read
Heavier, yes — but richer, too.(Photo: Marty Sohl/ Metropolitan Opera.)

Netrebko in Verdi’s ‘Macbeth’

Seeing is believing

Anna Netrebko triumphs as Lady Macbeth, but you’d never know it by listening only.
Steve Cohen

Steve Cohen

Articles 3 minute read
“Lauren and Marilyn” (detail) © Mark Khaisman 2014

Face Value at the Main Line Art Center

21st-century portraiture

Face Value should wake up all those galleries in Philadelphia that are still showing 20th-century art as if it is contemporary.

Anne R. Fabbri

Articles 2 minute read
Aaron Copland in his studio.

Copland's 'Shall We Gather at the River'

Moved to tears

There’s music I like more than Aaron Copland’s “Shall We Gather at the River?” that does not make me cry, so what is the power of this piece?
Kile Smith

Kile Smith

Articles 5 minute read
Are we having fun yet?

Lisa D’Amour’s ‘Detroit’ by PTC (second review)

Playing house

Detroit has been criticized for being too shallow — it could have gone into a deeper, less superficial exploration of Real Issues, like class and economic despair. After all, nothing much happens. However, the play’s genius is in its refusal to go there. It keeps us, like its characters, comfortable in what we see, wholly entertained, but not quite satisfied.

Samantha Maldonado

Articles 4 minute read
A flaneur's eye: Ray Metzker, “Philadelphia,” 1963. (Laurence Miller Gallery)

Photographer Ray Metzker: An appreciation

Remembering Ray Metzker, one of the most important artists of the second half of the 20th century and first decade of this one.

Tom Goodman

Articles 4 minute read
Charm and discipline: Dawn Upshaw (photo by Brooke English)

Dawn Upshaw and Gilbert Kalish perform Charles Ives

Ives thrives with Dawn Upshaw and Gilbert Kalish

Charles Ives broke open the warp and woof of American music in a way that no other composer has before or since. Dawn Upshaw and Gilbert Kalish provide the celebration he deserves.
Victor L. Schermer

Victor L. Schermer

Articles 6 minute read
Susan Watts with her mother, Elaine Hoffman (via hoffmanwattsklezmer.com)

Susan Watts in Chestnut Hill

A fourth-generation klezmer tackles jazz

Klezmer, which is derived from the Hebrew word for “instrument of song,” refers not only to the Eastern European Jewish music idiom itself but also to the musicians who specialize in its performance. Susan Watts is certainly one of its foremost practitioners, now boldly expanding into klezmer’s distant cousin jazz, which shares many of klezmer’s defining attributes.
Robert J. Robbins

Robert J. Robbins

Articles 3 minute read
Act two fireworks: Rose Byrne and Mark Linn-Baker in “You Can't Take It With You.” (Photo by Joan Marcus; © Broadway.com)

'You Can’t Take It with You' on Broadway

An all-star cast in a classic comedy

If you think your family is eccentric, wait till you meet the Sycamores, the stars of the show and the nuttiest family ever to inhabit an American living room — let alone a stage.

Carol Rocamora

Articles 3 minute read