Articles

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Gustav Mahler, photographed in 1907 at the end of his period as director of the Vienna Hofoper.

Nézet-Séguin conducts Mahler (third review)

Could we all use a resurrection? Mahler thought so

Mahler weaves between grief and excitement throughout the symphony. There is no conductor better than Nézet-Séguin in working with these changes, and he is excellent with liturgical and choral music as well. So the last two movements proved to be glorious in his hands.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
Neither Catholic nor Jew

Nézet-Séguin conducts Mahler (2nd review)

Mahler’s tortured world

Mahler’s Resurrection Symphony had nothing to do with Christ and everything to do with the tormented composer’s own yearning for a better life after this one.
Steve Cohen

Steve Cohen

Articles 3 minute read
Shoehorning in a much-needed female character. (Photo: Deen van Meer)

‘Newsies’ at the Academy of Music (second review)

Protesting injustice in song and dance

A dancing set, a screaming audience, two dozen dancing newsboys. Who needs a believable story when everyone’s excited before the show even begins?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Charlie DelMarcelle (here in <em>I Am My Own Wife</em>) was costar of two winning productions.

Return of the Barrymore Awards

No egos, please — we're Philadelphians

Philadelphia’s Barrymore Awards returned after a two-year absence, stressing not star power but the diverse nature of Philadelphia theater and the innovative qualities of its newer companies.
Steve Cohen

Steve Cohen

Articles 2 minute read
The good guys, in case you were wondering.

‘Newsies’ at the Academy of Music

More than the sum of its parts

Newsies offers a trite plot wrapped up in spectacular musical packaging.
Steve Cohen

Steve Cohen

Articles 2 minute read
Gatling (left), Chouiniere: Cruelty of apartheid.

Pamela Gien’s ‘Syringa Tree’ in Norristown

Across the color line

Blacks and whites separated by apartheid in South Africa provide expressive performances by two fine actresses.
Steve Cohen

Steve Cohen

Articles 2 minute read
"Blind Woman, New York, 1916" by Paul Strand. (© Paul Strand Archive/Aperture Foundation)

Paul Strand at the Art Museum (second review)

Depth of exposure

Rather than expending glass or film negatives, time was the currency Paul Strand spent lavishly. Exposing himself with contemplative fervor to a location, he sought exact places and precise moments.

Pamela J. Forsythe

Articles 4 minute read

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“Anna Attinga Frafra, Accra, Ghana.” © Paul Strand Archive/Aperture Foundation

Paul Strand at the Art Museum (first review)

New millennium homage to a 20th-century master

Some of Paul Strand’s images are so embedded in our collective consciousness that they are as familiar to us as our own faces in a mirror.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
Not easily distracted, and yet...

Yefim Bronfman at the Perelman

Adventures of the sonata

The three sonatas programmed by Yefim Bronfman in his Perelman Theater recital told a tale of an artist moving from classical assurance to anxious assertion to violent despair.
Robert Zaller

Robert Zaller

Articles 5 minute read
Marching to his own drummer. (photo by nickelbabe, via Creative Commons/pixabay)

Calvin Hampton: An appreciation

An American genius

Calvin Hampton dared to take musical chances. While the results are uneven, his better compositions deserve a place in the repertoire.

Michael Lawrence

Articles 3 minute read