Articles

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It starts with adulterous lovers: Stéphanie Cléau and Mathieu Amalric in "The Blue Room" (© 2014 - IFC Films)

Mathieu Amalric’s "The Blue Room"

Who's killing whom?

Mathieu Amalric’s taut adaptation of Georges Simenon’s Blue Room is a story of passion that devolves into murder, but, even more, about the transgressive turns of the human heart.
Robert Zaller

Robert Zaller

Articles 6 minute read
Recalling a primal past. (Photo by Bill Hebert)

Koresh Dance Company's 'evolution'

An exercise in world-building

Ev.o.lu.tion explores how to communicate frustration, desire, agony, ecstasy, longing, and identity through visceral expression. The performance is emotionally charged, so moody in its aesthetics that it begs to be absorbed and, if not interpreted, then felt.

Samantha Maldonado

Articles 3 minute read
A quirky savior arrives with feet akimbo. (Photos by Mark Garvin)

'Mary Poppins' at the Walnut Street Theatre

The dark side of our favorite nanny

Mary Poppins makes a bad nanny but a fun family musical.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
The viola is no joke. (Photo by aethir via Creative Commons/Wikimedia)

Astral Artists and the Chamber Orchestra spotlight the viola

All kidding aside

The accidents of the scheduling process produced two consecutive concerts that spotlighted the viola and proved, once again, that viola jokes are a baseless and vile calumny.
Tom Purdom

Tom Purdom

Articles 4 minute read
Fathers and sons having it out: Downey and Duvall. (Photo by Claire Folger - © 2013 Warner Bros. Entertainment Inc.)

David Dobkin’s ‘The Judge’

Anger management

Robert Duvall’s stardom began when he played a Mob lawyer to perfection in The Godfather. His turn in The Judge as a magistrate who can’t escape the consequences of his own rectitude is the capstone of a splendid career.
Robert Zaller

Robert Zaller

Articles 4 minute read
Jenny Jules, Tonye Patano, Julian Rozzell Jr., Sterling K. Brown, and Jeremie Harris in "Father Comes Home from the Wars." (Photo by Joan Marcus)

'Father Comes Home from the Wars' and 'The Oldest Boy'

Myths that define us

Father Comes Home from the Wars and The Oldest Boy are each steeped in mythology, and each has a compelling tale that changes the way we view the world.

Carol Rocamora

Articles 4 minute read

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'Wall Street' (1915): Men dwarfed by their creations.

Paul Strand at the Art Museum (3rd review)

Witness to a century

The Art Museum's comprehensive Paul Strand exhibit draws deeply on its holdings of Strand. But you can’t see him whole with the politics left out.
Robert Zaller

Robert Zaller

Articles 5 minute read

Bill Walton: Artist to Artist at Drexel

A little to see, a lot to like

Consisting of prints and objects the late Philadelphia artist Bill Walton traded, gave, or bequeathed to colleagues, the exhibit hides in plain sight in the Pearlstein Gallery’s 3,500 square feet.

Pamela J. Forsythe

Articles 3 minute read
The author's sketch of the D'Orsi sculpture.

The artist's intention

Sketching in the Pitti Palace evokes thoughts of a prison yard.
Treacy Ziegler

Treacy Ziegler

Articles 5 minute read
Josh Carpenter as Pip and Brian McCann as Magwitch in Arden Theatre Company's production of “Great Expectations.” (Photo by Mark Garvin)

'Great Expectations' at the Arden Theatre

Cliffs Notes on a classic

A Dickens adaptation that makes us laugh? Seeing the Arden Theatre Company’s Great Expectations is like watching the Cliffs Notes come to life — in a good way.
Naomi Orwin

Naomi Orwin

Articles 3 minute read